Studio para Quetzalcoatl (2022) Drawing by Exagerardo

Ink on Paper, 13.4x8.3 in
$1,237.54
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Fine art paper, 12x7 in

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  • Original Artwork (One Of A Kind) Drawing, Ink / Pencil on Paper
  • Dimensions Height 13.4in, Width 8.3in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Drawings under $5,000 Outsider Art America
Quetzalcóatl, la serpiente emplumada, era un termino utilizado en el México prehispánico para designar a seres, especiales, con un alto conocimiento y espiritualidad, iluminados que llegaban de las estrellas para guiar a los pueblos. Aquí la serpiente emplumada es representada subiendo a lo largo de las esferas del árbol sefirot, para elevarse a traves [...]
Quetzalcóatl, la serpiente emplumada, era un termino utilizado en el México prehispánico para designar a seres, especiales, con un alto conocimiento y espiritualidad, iluminados que llegaban de las estrellas para guiar a los pueblos. Aquí la serpiente emplumada es representada subiendo a lo largo de las esferas del árbol sefirot, para elevarse a traves de las distintas realidades y llegar al Gran Sol Central.

Quetzalcóatl, the feathered serpent, was a term used in pre-Hispanic Mexico to designate special beings, with high knowledge and spirituality, enlightened ones who came from the stars to guide the people. Here the feathered serpent is represented ascending along the spheres of the sefirot tree, to rise through the different realities and reach the Great Central Sun.

Related themes

AztecsMayansHuichol IndiansKabbalahSacred Geometry

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Gerardo Hernández Ruiz (Exagerardo) was born in the city of Veracruz, Mexico, on November 18, 1970. From an early age he was interested in the visual arts, developing drawing and painting self-taught from [...]

Gerardo Hernández Ruiz (Exagerardo) was born in the city of Veracruz, Mexico, on November 18, 1970. From an early age he was interested in the visual arts, developing drawing and painting self-taught from the age of eight and a little later photography, since the age of 16. From 1988 to 1992 he studied Graphic Design in the city of Querétaro and during this stage a special concern arose for the art and philosophy of the pre-Hispanic civilizations, as well as the indigenous tribes that still survive in Mexico.

This concern led him in 1993 to spend 6 months in the Huichol community of Guadalupe Ocotán, a very remote community at that time, in the mountains west of Mexico. The art of the Huichol people especially attracted him for its intense color and the fact that they are one of the tribes that has best preserved their ancestral customs and religion, surviving not only European colonization but even the onslaught of modernization, in more recent years.

For the past 30 years he has worked as a professional graphic designer, specializing in record covers and editorial design. But despite this, he has simultaneously produced a large body of artistic work in which he interchangeably combines drawing, painting, photography, collage and digital art, invariably approached from an experimental perspective. One of his most recurring themes is to return to the philosophy and aesthetics of the indigenous tribes in Mexico, integrating them with more typical aspects of contemporary art. His photographs, on the other hand, tend to be of a more abstract style.

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