Arrête de faire ta nunuche ! (2016) Drawing by Eva Bergera

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Pour ce qui tient de la construction formelle des Corps Glorieux, les influences de l’artiste sont multiples. Eva Bergera pensait notamment à L'extase de Sainte Thérèse, du Bernin, au patrimoine artistique de l’ordre de la Visitation (conservé à Moulin), au corps incorruptible de Sainte Bernadette Soubirous (Nevers), aux anciennes cartes postales que [...]
Pour ce qui tient de la construction formelle des Corps Glorieux, les influences de l’artiste sont multiples. Eva Bergera pensait notamment à L'extase de Sainte Thérèse, du Bernin, au patrimoine artistique de l’ordre de la Visitation (conservé à Moulin), au corps incorruptible de Sainte Bernadette Soubirous (Nevers), aux anciennes cartes postales que les femmes envoyaient aux soldats au front ou encore à diverses sculptures et représentations de la Vierge Marie.

Related themes

AmourFoiReligionSpiritualitéLove

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The works of Éva Bergera are cries, white cries, deaf cries. It is a theme as old as (in)humanity that works the artist: the moral, physical, sexual and social violence inflicted on those who do not think right. [...]

The works of Éva Bergera are cries, white cries, deaf cries.

It is a theme as old as (in)humanity that works the artist: the moral, physical, sexual and social violence inflicted on those who do not think right.

A harmony of raw words and pop colors, shocking images and pious aesthetics, the work exudes an impressive force.

Hell according to her is a contrast of colors both bright and soft, strewn with flowers, fruits and saints with joined hands. We see familiar faces, Loana, Claude François, the artist herself and others only known to the police – robot portraits of criminals. Eva Bergera's collages have the chilling beauty of Rogier Van Den Weyden's Last Judgment. Like the masterpiece of the Hôtel-Dieu de Beaune, they demand that we linger in front of them to appreciate all their power, the richness of the details. They are lacerated with sentences: "And what's more, this whore is nice", "Stop! Stop you tire me, order two pizzas and shut your mouth”, “Are you going to cry? “… These words, Eva Bergera heard them, collected, triturated, some were intended for her.

And in the middle of this mess remains laughter, humor as an indispensable revolt against the absurd, against a conception of life devoid of meaning, of center. There will always be death at the end, so go find something to do!

***

Born in 1988 in Roanne, Éva Bergera began painting in a painter's studio at the age of 8 and then multiplied competitions in supermarkets and surrounding villages. She develops an attachment to popular culture; Claude François, television, fairgrounds and a little later for the works of Annie Ernaux and Virginie Despentes.

Since the Salon de Montrouge, Éva Bergera's works have been noticed, bought by several ADIAF collectors, and her work has notably been shown at major Parisian fairs (the YIA, Slick Art Fair) or within prestigious institutions such as the IAC in Villeurbanne and the Lambert Collection Museum of Contemporary Art in Avignon.

See more from Eva Bergera

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Digital Arts titled "À relever" by Eva Bergera, Original Artwork, Manipulated Photography Mounted on Aluminium
Digital Arts | 30x22.7 in
$2,341.17
Painting titled "Apprendre encore à…" by Eva Bergera, Original Artwork, Ink
Ink on Canvas | 41.3x34.3 in
$5,596.69
Drawing titled "Les corps glorieux…" by Eva Bergera, Original Artwork, Watercolor Mounted on Cardboard
Watercolor on Paper | 28.4x22.1 in
Sold
Photography titled "Champ Fleury" by Eva Bergera, Original Artwork, Manipulated Photography Mounted on Aluminium
Photography | 5.9x5.9 in
Sold

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