7-Eleven (2023) Painting by Eva Bergera
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| 1122 px | ||
|
1500 px |
| Dimensions of the file (px) | 1122x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Acrylic
/
Pencil
/
Ink
on Wood
- Dimensions Height 11in, Width 8.3in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Paintings under $5,000 Figurative Love
La toile se fait réceptacle d’une histoire des femmes, l’histoire du rapt et de sa douleur transfigurée par une imagerie religieuse qui crée des cœurs saignants.
La peinture d’Éva Bergera est nécessaire, portée par une acuité de regard mais aussi un geste sûr, le geste de ceux qui n’ont pas le choix et retrouvent en eux-mêmes un mouvement, une grâce unique. Loin de tous les colifichets ornementaux du moment, l’art d’Éva Bergera ouvre les clés d’une peinture qui touche l’essentiel dans l’interrogation sur le monde d’aujourd’hui, les figures de la domination. Elle est aussi révolutionnaire que le dessin d’Egon Schiele représentant les prostituées de sa prison. »
Catherine Duparc
Related themes
The works of Éva Bergera are cries, white cries, deaf cries.
It is a theme as old as (in)humanity that works the artist: the moral, physical, sexual and social violence inflicted on those who do not think right.
A harmony of raw words and pop colors, shocking images and pious aesthetics, the work exudes an impressive force.
Hell according to her is a contrast of colors both bright and soft, strewn with flowers, fruits and saints with joined hands. We see familiar faces, Loana, Claude François, the artist herself and others only known to the police – robot portraits of criminals. Eva Bergera's collages have the chilling beauty of Rogier Van Den Weyden's Last Judgment. Like the masterpiece of the Hôtel-Dieu de Beaune, they demand that we linger in front of them to appreciate all their power, the richness of the details. They are lacerated with sentences: "And what's more, this whore is nice", "Stop! Stop you tire me, order two pizzas and shut your mouth”, “Are you going to cry? “… These words, Eva Bergera heard them, collected, triturated, some were intended for her.
And in the middle of this mess remains laughter, humor as an indispensable revolt against the absurd, against a conception of life devoid of meaning, of center. There will always be death at the end, so go find something to do!
***
Born in 1988 in Roanne, Éva Bergera began painting in a painter's studio at the age of 8 and then multiplied competitions in supermarkets and surrounding villages. She develops an attachment to popular culture; Claude François, television, fairgrounds and a little later for the works of Annie Ernaux and Virginie Despentes.
Since the Salon de Montrouge, Éva Bergera's works have been noticed, bought by several ADIAF collectors, and her work has notably been shown at major Parisian fairs (the YIA, Slick Art Fair) or within prestigious institutions such as the IAC in Villeurbanne and the Lambert Collection Museum of Contemporary Art in Avignon.
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Nationality:
FRANCE
- Date of birth : 1988
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists
