4 BERYLLIUM (2020) Digital Arts by Etienne Frouin (E9 Inertion)

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  • Original Artwork Digital Arts, 2D Digital Work / Digital Painting
  • Dimensions Dimensions are available on request
  • Categories Geometric
4 BERYLLIUM. Le béryllium est un élément chimique de symbole Be et de numéro atomique 4. Dans le tableau périodique, il est le premier représentant des métaux alcalino-terreux. Le nom béryllium vient du grec βήρυλλος (beryllos) qui désignait l'aigue-marine ou l'émeraude. Élément bivalent, le béryllium est un métal alcalino-terreux d'aspect gris acier. [...]
4 BERYLLIUM
Le béryllium est un élément chimique de symbole Be et de numéro atomique 4. Dans le tableau périodique, il est le premier représentant des métaux alcalino-terreux. Le nom béryllium vient du grec βήρυλλος (beryllos) qui désignait l'aigue-marine ou l'émeraude.
Élément bivalent, le béryllium est un métal alcalino-terreux d'aspect gris acier. Il est léger, fragile et toxique.
Ombre noire = solide
Fond beige = alcalino-terreux

The periodic table, also known as the periodic table of elements, arranges the chemical elements such as hydrogen, silicon, iron, and uranium according to their recurring properties. The number of each element corresponds to the number of protons in its nucleus.
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BerylliumMendeleievE9 InertionEtienne FrouinLangage

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Etienne Frouin is a contemporary French artist. Frouin, who has been passionate about art for more than 30 years, is constantly nourished by artistic creations. He embarked on an adventure in 2014, after a few [...]

Etienne Frouin is a contemporary French artist. Frouin, who has been passionate about art for more than 30 years, is constantly nourished by artistic creations. He embarked on an adventure in 2014, after a few years of painting and drawing lessons, in order to debut his first metal works in 2015. His sculptures' main theme is a man, which is a universal and everlasting theme, and the medium is a wood panel for charcoal drawing. For the volume, circular iron bar of Ø 6, 8, and 10 minutes and sheet metal were bent, cut, arc welded, ground, and painted, even oxidized, to create "hollow" works.

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