Jumelles (2018) Design by Zenzivi Nora Yahiaoui

Sold by Zenzivi Nora Yahiaoui

Certificate of Authenticity included

This artwork appears in 2 collections

Original Artwork Design, Luminaire

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 58.3in, Width 11.8in
Categories Designs under $1,000

Pièce unique, structure en fonte et en acier oxydés stabilisés. About this artwork: Classification, Techniques & Styles Luminaire Device primarily used for[...]

Zenzivi Nora Yahiaoui

France

Coming from an environment where the question of art was not on the list of priorities, it was only belatedly that I let myself be caught in the net of its subtleties, even its wanderings. Virgin of[...]

Coming from an environment where the question of art was not on the list of priorities, it was only belatedly that I let myself be caught in the net of its subtleties, even its wanderings.

Virgin of any official teaching, I amuse myself with this ignorance and circumvent the classic framework of protocol rules. Without artistic pedigree, I have neither master nor model. Thus I remain detached from the precepts which sometimes surround the artist too closely in a creation which could then appear as a transfer of world-class references.

Imagination is the raw material of my achievements, but above all, I pride myself on creating only in the unique direction of my sensitivity. My work is organized in the chronological disorder of my faithful thoughts, I exercise it artistically as if to save my skin...Claustrophobic for real, my proposals testify to the prison feeling felt in the broad sense of the term and which like billions of neighboring or distant fellow citizens, sometimes prevents me from apprehending life as a precious commodity that must be consumed without moderation.

Nora Yahiaoui

Coming from an environment where the question of art was not included in the list of priorities, it was only late that I let myself be caught in the net of its subtleties, see of its wanderings.
Virgin of all official teaching, I amuse myself with this ignorance and circumvent the classical framework of protocol rules.
Imagination is the raw material of my achievements, but above all, I pride myself on creating only in the unique sense of my sensitivity.
Without an artistic pedigree, I have no master or model. Thus I remain detached from all precepts that sometimes enclose the artist too closely in a creation that then appears as a decal of world-renowned references.

Nora Yahiaoui