Plantes de Klee dans le Marais acide Painting by Thomas Formule

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  • Original Artwork Painting, Acrylic on Paper
  • Dimensions Height 27.6in, Width 39.4in
  • Categories Paintings under $500 Surrealism
Cette peinture représente les fleurs illustrées dans l'oeuvre de Paul Klee « Höhlen Blüten » [Fleurs des cavernes] poussant au milieu d'un marais parsemé de mares acides roses devant une chaîne de volcans. Deux conteneurs sont présents. Des arbustes dessechés sont dispersés dans le paysage. Les deux conteneurs symbolisent le commerce[...]
Cette peinture représente les fleurs illustrées dans l'oeuvre de Paul Klee « Höhlen Blüten » [Fleurs des cavernes] poussant au milieu d'un marais parsemé de mares acides roses devant une chaîne de volcans. Deux conteneurs sont présents. Des arbustes dessechés sont dispersés dans le paysage.
Les deux conteneurs symbolisent le commerce international et la mondialisation. Ils montrent l'étendue de la mondialisation jusque dans les milieux les plus inhospitaliés pour l'homme. Ils sous-entendent également que celle-ci est la cause de catastrophes écologiques et de destructions de milieux naturels.
Les fleurs de Paul Klee montrent que cependant parfois la nature persiste. Elles sont un appel à sa protection. Elles sont un espoir que celle-ci perdure contre les ravages produits par l'extension non maîtrisée de la société industrielle et consumériste.
Les volcans à l'arrière plan symbolisent les forces de la terre et la fragilité de l'homme face à ces forces.

Related themes

PlantesMaraisAcidePaul KleeMondialisation

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Thomas Formule discovered the visual arts in an art therapy group. He was looking for another means of expression. His long past practice of Judo inspires him in his painting where he often bypasses compositional[...]

Thomas Formule discovered the visual arts in an art therapy group. He was looking for another means of expression. His long past practice of Judo inspires him in his painting where he often bypasses compositional barriers by flexibility and always seeks to bring movement to his achievements. Attracted by the vast outdoor spaces in nature - which he regularly rides with his bike - he likes to represent a panoramic view of his subjects. His work on Berlin starts from a specific place - Lake Plötzen - to move away and adopt a more distant view of the city.

His artistic subject is the search for points of rapprochement between a more bodily and instinctive apprehension of the world and a more analytical vision, using reasoning. That is to say, he is actually looking for points of rapprochement between the Eastern vision - as it is expressed in the practice of meditation and the martial arts, for example - and the Western vision-as it is is expressed in the Cartesian method and modern techniques and technologies. For this, he often uses the dragon as a symbol of the Asian approach and cities and their modern constructions as representative of the Western approach. He paints in acrylic and often uses collages printed from photos found on the internet, to evoke a city or a place that inspires him. His style is expressionist with the particularity of often melting an abstract part and a figurative part in the same composition.

Thomas Formule was born in France in 1979. He has a Master degree in Materials Sciences. His works on Singapore, Dubai and Berlin are the most representative of the artistic orientation he follows.

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