Underwood Life (2019) Digital Arts by Steevens Hill

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Paintography on the basis of infrared photography "Underwood Life" (No. 1/5) is part of the series entitled "Painto Abstract Graphy". A unique and revealed moment of life in the forest, it is present and knows how to remain discreet... If we know how to listen, look, and enhance, then it is a gift that[...]
Paintography on the basis of infrared photography

"Underwood Life" (No. 1/5) is part of the series entitled "Painto Abstract Graphy".

A unique and revealed moment of life in the forest, it is present and knows how to remain discreet... If we know how to listen, look, and enhance, then it is a gift that it gives us.

My work on the pictorial rendering by photography leads us to a profound inner questioning, that of the painter to "reach" his ultimate work, and that of the photographer who captures the present moment.

In short, both are right, I express the fusion of two realities, to raise awareness of our presence in a permanent environment, made of matter and life!

The spectrum invisible to the human eye raises awareness of the need to respect our relationship with nature, this force tends to bring us closer together and better integrate the notion of ecosystem responsibility.

Every moment of my work is authentic, it spontaneously emerges during a moment of evidence, outside, inside. With organic or not, during a walk, and in moments of creations inspired by strong emotions.

It is a journey from which we know neither the journey, the time nor the destination, but our deep and unconscious nature is only waiting to emerge.

Together, let us be open and observant, everything in the visible and invisible is real!

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*Original work limited to 5 copies, signed and accompanied by its certificate of authenticity.

Length: 79,5 cm
Width: 120cm
Thickness: 4 cm
Possibility to customize the size of the fine art printing and the type of media.

Art print on canvas - Matt 410 g (Hahnemühle Monet canvas)

Thick 100% cotton canvas, intense matt natural white, intense colours including fine grain.

Mounted on 4cm chassis, white edge, kraft finish on the back and with hook

* Small formats: 1 hook
* Medium formats: 1 steel wire on the rear part
* Large formats: 2 hooks
* 40mm wooden frame except 20x30 (20mm)
* Kraft paper on frame


---- French Version ----


Peintographie sur base photographie infrarouge

"Underwood Life" (N° 1/5) fait partie de la série intitulée "Painto Abstract Graphy".

Moment unique et révélé de la vie en forêt, elle est présente et elle sait rester discrète...Si l'on sait écouter, regarder, et mettre en valeur, alors c'est un cadeau qu'elle nous fait.

Mon travail sur le rendu pictural par la photographie, nous amène sur un questionnement profond intérieur, celui du peintre pour "aboutir" à son oeuvre ultime, et celui du photographe qui capte le moment présent.

En définitive, les deux ont raison, j'exprime la fusion de deux réalités, pour conscientiser notre présence, dans un environnement permanent, fait de matière et de vie !

Le spectre invisible à l’œil humain sensibilise au respect de notre rapport à la nature, cette force tend à nous rapproché et à mieux intégrer la notion de responsabilité de l’écosystème.

Chaque instant de mon travail est authentique, il surgit spontanément lors un moment d'évidence, en extérieur, en intérieur. Avec de l'organique ou non, lors d'une balade, et dans des instants de créations inspirés d'émotions fortes.

C'est un voyage dont on ne connaît ni le trajet, la durée et la destination, mais notre nature profonde et inconsciente ne demande qu'à émerger.

Ensemble, soyons ouvert et observateur, toute chose dans le visible et l'invisible sont bien réels !

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*Oeuvre originale limitée à 5 exemplaires, signée et accompagnée de son certificat d'authenticité.

Hauteur : 79,50 cm
Largeur : 120 cm
Épaisseur : 4 cm
Possibilité de personnalisé la dimension de l’impression fine art et du type de support.

Impression d’art sur toile canevas – Mat 410 g (Hahnemühle Monet canvas)

Toile épaisse 100 % coton, blanc naturel mat intense, couleurs intenses dont le grain fins.
Monté sur châssis de 4cm, bord blanc, finition kraft sur l’arrière et avec accroche
* Petits formats: 1 crochet
* Formats moyens: 1 fil en acier sur la partie arrière
* Grands formats: 2 crochets
* Châssis bois de 40mm sauf 20x30 (20mm)
* Papier kraft sur Châssis

Related themes

AbstractAbstraitSurréalismePhotographie D'artAbstract Photographiy

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Hello, I recommend that you consult my artist statement and my complete biography on my website:. ww.steevenshill.art. Brief biography. Steevens Hill was born in 1971...then the adventure[...]

Hello, I recommend that you consult my artist statement and my complete biography on my website:.

ww.steevenshill.art.

Brief biography.


Steevens Hill was born in 1971...then the adventure continues....
As a child, I was already intrigued by my environment, but especially by the questioning of our physical existence, our place on earth. It can be said that his relationship with nature, with matter in all its forms, fascinates him.

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To find with one's neighbour one's place, in all situations of life, with this awareness of "being"... Images, dreams, drawings, photos, already a feeling of need, to create to give meaning to this awareness, and to make it live at all costs through small experiences, the desire to learn and to multiply opportunities...

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In these words, the thoughts, the images, the "photosensitivity" of his person, revealed his place and his ability to feel things around him, the mineral, the vegetable, the animal, the invisible. The fact of capturing the present moment, and expressing it, the mental vision of these moments and desires have intrinsically revealed this attraction to photography...

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A life in the tertiary sector, then in sport, did not overwhelm the sleeping artist. This "coming-out", the one-way ticket with no return, is nowadays unequivocal..

He therefore takes advantage of this professional triptych of author-writer to rely on the status of author-photographer to reveal himself.

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His first wishes are first of all to "set up", to announce his first choices, clichés, collections responding to different themes of "abstract reality", "the invisible", phantasmagorical, "lyrical", "abstract expressionism" in this contemporary world...

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Today, it goes to the essential, there is no longer any conditioned reflection. He must bring out repressed feelings, joys, fears, love, questions in his work. He has always been "him", but today, without restraint.

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As a gift, seeing the other's gaze welcoming you is the most beautiful thing there is... We all have our audience, He intends to give as many people as possible another look at our existence, our environment, and that everything in the visible and the invisible is very real...

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It is enough to see, to be in the resonance of a photo, a sculpture, a painting. The artist's message and her inner questioning ! it is a rebirth that gives me more inspiration to communicate to everyone about our presence, in the depths of our being.

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To feel this inseparable whole from matter, images, thought, and to knock at the door of our unconscious, to finally reach universal consciousness...

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Steeven Hill

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