Red Limit in Wood (2019) Photography by Steevens Hill

Digital licensing

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Certificate of Authenticity included
This artwork appears in 1 collections
  • Original Artwork Photography, Other
  • Dimensions Height 31.5in, Width 47in
  • Categories Abstract
Infrared digital photography "Red Limit in Wood" (No. 1/10) is part of the series entitled "Spectral Vision, the other reality". An instant moment of reality, supported by the infrared spectrum coupled to our vision. We see, consciously receive messages, and are unconsciously affected by[...]
Infrared digital photography

"Red Limit in Wood" (No. 1/10) is part of the series entitled "Spectral Vision, the other reality".

An instant moment of reality, supported by the infrared spectrum coupled to our vision.

We see, consciously receive messages, and are unconsciously affected by abstract emotions. They are revealed by the awareness of a strong, anxious, attractive nature.

This moment captured and stopped, continues with our unique and individual introspection. We are....in the present moment!

The spectrum invisible to the human eye raises awareness of the need to respect our relationship with nature, this force tends to bring us closer together and better integrate the notion of ecosystem responsibility.

Every moment of my work is authentic, it spontaneously emerges during a moment of evidence, outside, inside. With organic or not, during a walk, and in moments of creations inspired by strong emotions.

It is a journey from which we know neither the journey, the time nor the destination, but our deep and unconscious nature is only waiting to emerge.

Together, let us be open and observant, everything in the visible and invisible is real!

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*Original work limited to 10 copies, signed and accompanied by its certificate of authenticity.

Length: 119.40 cm
Width: 53.6 cm
Thickness: 3 cm
Available on request, possibility to customize the size of the fine art printing and the type of media.


Metal Printing In Us Crates - Matt Rendering

Fine Art" art print - Matt aspect on 100% cotton paper 308 g. (Hahnemühle Photo Rag 308g)

Paper very slightly textured, bright, velvety

Very fine and soft surface allowing to obtain intense colours and deep blacks with an excellent resistance to ageing.

Laminating "Fine Art" art printing on a rigid aluminium support, before framing it, in order to guarantee an exceptional lifetime for printing on aluminium.

Rotating edge from 4 to 6 mm

Rear hitch:

Small formats: 1 hook
Medium formats: 1 steel wire on the rear part
Large formats: 2 hooks

---- French Version ----


Photographie numérique Infrarouge

"Red Limit in Wood" (N° 1/10) fait partie de la série intitulée "Spectral Vision, the other reality".

Moment instantané de réalité, appuyé par le spectre infrarouge couplé à notre vision.
Nous voyons, recevons consciemment des messages, et nous affectés inconsciemment par des émotions abstraites. Elles sont révélées par la prise de conscience d'une nature forte, angoissante, attirante.

Ce moment capté et stoppé, continue par notre introspection unique et propre à chacun. Nous sommes....dans le moment présent !

Le spectre invisible à l’œil humain sensibilise au respect de notre rapport à la nature, cette force tend à nous rapproché et à mieux intégrer la notion de responsabilité de l’écosystème.

Chaque instant de mon travail est authentique, il surgit spontanément lors un moment d'évidence, en extérieur, en intérieur. Avec de l'organique ou non, lors d'une balade, et dans des instants de créations inspirés d'émotions fortes.

C'est un voyage dont on ne connaît ni le trajet, la durée et la destination, mais notre nature profonde et inconsciente ne demande qu'à émerger.

Ensemble, soyons ouvert et observateur, toute chose dans le visible et l'invisible sont bien réels !

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*Oeuvre originale limitée à 10 exemplaires, signée et accompagnée de son certificat d'authenticité.

Longueur : 119.40 cm
Largeur : 53.6 cm
Épaisseur : 3 cm

Disponible sur demande, possibilité de personnalisé la dimension de l’impression fine art et du type de support.

Impression Métal En Caisse Us - Rendu Mat

Impression d’art « Fine Art » – Aspect mat sur papier 100 % coton 308 g. (Hahnemühle Photo Rag 308g)

Papier très légèrement texturé, lumineux, rendu velouté
Surface superficielle très fine et douce permettant d’obtenir des couleurs intenses et des noirs profonds avec une excellente résistance au vieillissement.

Contre collage impression d’art « Fine Art » sur un support aluminium rigide, avant de procéder à son encadrement, afin de garantir une durée de vie exceptionnelle à l’impression sur aluminium.

Bord tournant de 4 à 6 mm

Accroche arrière:
Petits formats: 1 crochet
Formats moyens: 1 fil en acier sur la partie arrière
Grands formats: 2 crochets
ure et à la matière sont éclairés pour l'éveil de notre conscience.

Related themes

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Hello, I recommend that you consult my artist statement and my complete biography on my website:. ww.steevenshill.art. Brief biography. Steevens Hill was born in 1971...then the adventure[...]

Hello, I recommend that you consult my artist statement and my complete biography on my website:.

ww.steevenshill.art.

Brief biography.


Steevens Hill was born in 1971...then the adventure continues....
As a child, I was already intrigued by my environment, but especially by the questioning of our physical existence, our place on earth. It can be said that his relationship with nature, with matter in all its forms, fascinates him.

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To find with one's neighbour one's place, in all situations of life, with this awareness of "being"... Images, dreams, drawings, photos, already a feeling of need, to create to give meaning to this awareness, and to make it live at all costs through small experiences, the desire to learn and to multiply opportunities...

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In these words, the thoughts, the images, the "photosensitivity" of his person, revealed his place and his ability to feel things around him, the mineral, the vegetable, the animal, the invisible. The fact of capturing the present moment, and expressing it, the mental vision of these moments and desires have intrinsically revealed this attraction to photography...

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A life in the tertiary sector, then in sport, did not overwhelm the sleeping artist. This "coming-out", the one-way ticket with no return, is nowadays unequivocal..

He therefore takes advantage of this professional triptych of author-writer to rely on the status of author-photographer to reveal himself.

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His first wishes are first of all to "set up", to announce his first choices, clichés, collections responding to different themes of "abstract reality", "the invisible", phantasmagorical, "lyrical", "abstract expressionism" in this contemporary world...

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Today, it goes to the essential, there is no longer any conditioned reflection. He must bring out repressed feelings, joys, fears, love, questions in his work. He has always been "him", but today, without restraint.

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As a gift, seeing the other's gaze welcoming you is the most beautiful thing there is... We all have our audience, He intends to give as many people as possible another look at our existence, our environment, and that everything in the visible and the invisible is very real...

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It is enough to see, to be in the resonance of a photo, a sculpture, a painting. The artist's message and her inner questioning ! it is a rebirth that gives me more inspiration to communicate to everyone about our presence, in the depths of our being.

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To feel this inseparable whole from matter, images, thought, and to knock at the door of our unconscious, to finally reach universal consciousness...

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Steeven Hill

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