"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
Artmajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of Artmajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1000 px | ||
|
1500 px |
| Dimensions of the file (px) | 1000x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
Download immediately upon purchase
This image is available for download with a licence: you can download them at anytime.
Restrictions
All images on Artmajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
This work is an "Open Edition"
Photography,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Categories Photographs under $500 Illustration
On y distingue un coureur à pied de dos qui traverse un pont constitué d'une passerelle en bois et de barrières métalliques quadrillées de part et d'autre.
Les éléments graphiques sont ici très puissants; ils donnent de la force à la composition et guident le regard du spectateur.
Les lignes directrices horizontales du pont mais aussi de l'horizon, évoquent le calme , la profondeur et la stabilité. Les lignes verticales représentées par les ombres des barrières sur le tablier du pont permettent d'allonger l'image tout en induisant un sentiment de puissance, de force. Les lignes directrices diagonales donnent du dynamisme et de la profondeur à la photo en suggérant des perspectives. Le regard du spectateur est ainsi naturellement guidé en direction du coureur. L'image est ainsi parfaitement harmonisée.
Tous les plans sont nets afin de suggérer la force et la rigueur de l'action de courir, la solidité du pont mais aussi la lourdeur du béton que constitue le paysage urbain en arrière plan.
J'ai choisi le noir et blanc pour apporter du contraste à l'image, me permettant également d'accentuer la rigueur de la scène et la solitude du coureur.
La composition de l'image est marquée par les lignes de fuite qui se rejoignent parallèlement à l'horizon, apportant un effet de profondeur et guidant le regard vers
le sujet volontairement centré pour renforcer la sérénité du lieu.
Le format rectangulaire et horizontal de la photo accentuent la profondeur et donnent de la distance dans un rythme dynamique. Enfin, le plan d'ensemble permet d'identifier le sujet néanmoins dominé par son environnement.
Libérer intelligemment son énergie lorsqu'on a choisi en toute conscience la direction vers laquelle on souhaite aller, permet de trouver un puissant équilibre dans le rythme fougueux de la vie. La détermination se met alors au service de la performance et de la progression pour exercer tous les talents qui nous sont propres.
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Tirage en édition limitée à 12 exemplaires (certificat d'authenticité fourni) tous formats et supports confondus.
Titre : Solitude massive
Date de prise de vue : 01.10.2014
Lieu : Montréal (QC, Canada)
Related themes
Light, movement, emotions, sharing... Concert photography is the first reason for my attraction to the 8th art. Then over the years, it is in discovering the work of great photographers like William Eggleston, Saul Leiter, Ralph Gibson, Joel Meyerowitz, Stephen Shore, Garry Winogrand and others, that I became passionate, more generally for reportage & documentary photography.
I'm very confident that I always go forward according to my beliefs and desires. Curious, I love learning, enrich myself of this and those around me. I am interested in many things, I quietly observe and photograph the elusive. I travel continually to meet the human being. Elsewhere.
And it is through this form of expression that I wish to convey an artistic vision, my own vision, on the surrounding world, share the wealth of a culture, be a witness of the time, capture a moment in finding myself in the right place at the right time...
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Nationality:
FRANCE
- Date of birth : 1978
- Artistic domains:
- Groups: Contemporary French Artists
See more from Sharlie Evans
