"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
Artmajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of Artmajeur framed art prints.
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About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 984 px | ||
|
1500 px |
| Dimensions of the file (px) | 984x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
Download immediately upon purchase
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Restrictions
All images on Artmajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
This work is an "Open Edition"
Photography,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Artwork's condition The artwork is in perfect condition
- Categories Photographs under $500
Related themes
Jean-Michel Ratron, photographer, by Eric Girard-Miclet.
Murs-Vivants, Waste in the Dark, Wax Nights, Vanités, Solitudes, the titles of Jean-Michel Ratron's photographic series already set the tone. For years in fact, during his city wanderings or his travels, he has scrutinized the sidelines of our environment (trash cans, the erosion of things and images, sometimes ruins), but also the beings abandoned to their destiny (migrants, homeless or more simply RER passengers). What emerges from these photos is an immense solitude, solitude marked by silence and anonymity, but without heaviness or superfluous pathos, let's say as an observation at the right distance, a modest testimony: “this is how we live today”.
And we live curled up on our artifacts, protecting ourselves from others in flesh and blood, like in this deserted fast-food restaurant, this man and this woman, each at their table, their eyes glued to their cell phones: digital propagation of our solitude...
Alone and surrounded by our ghosts. In Jean-Michel Ratron there is a certain attraction for human simulacra, which he hunts down at night, the realm of spirits. While, sculpted by the shadows of black and white, the livid profiles of the window mannequins seem to question us with their dead eyes, on the contrary, on the walls, tattered posters saturated with color exhibit noisy faces which move like demons. The night is double, enigmatic and feverish, like us.
During the day, wandering through public spaces, streets, parks, stations, metro corridors, the photographer zooms in on fragile moments of life, a hand placed on a banister, feet on a bench, sleeping faces, fragments of bodies in waiting for a visa or desire – it’s up to us to complete the scene. But it also allows us to see the world which imposes itself on us in its sadness and its brutality: there an out-of-service basketball backboard planted in the middle of the rubbish, elsewhere, against the backdrop of the setting sun, concrete columns armed topped with ridiculous steel wigs – post-modern Greek temple, toxic postcard.
But alongside what our eye sees, whether or not we choose to freeze, there is what the electronic eye captures, if we let it. In the series Voyage immobile, Jean-Michel Ratron lets go to let himself be invaded by the flows of light and the crowd, and lets the lens break into the heart of reality: traces of time, that tenth of a second that our eye could not guess, trails of colors, blurred, deformed bodies, as if in suspense, already ghosts haunting this urban, suffocating, almost prison universe. After our solitude, our disappearance, with the photo as our only memento.
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Nationality:
FRANCE
- Date of birth : 1959
- Artistic domains:
- Groups: Contemporary French Artists
See more from Jean-Michel Ratron
