"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
Artmajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of Artmajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine prints-
This work is an "Open Edition"
Digital Arts,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Categories Figurative
Related themes
Artiste peintre et peintre verrier (selon la technique du vitrail).
J'ai pratiqué le dessin numérique depuis la fin des années 80 (avec l'une des premières tablettes graphiques, sortie sur Atari) .Sur ces supports, j'ai souvent préparé mes projets sur le verre.
Les écrans partagent avec le verre l’éclat des couleurs en transillumination.
Le vitrail est une technique nécessairement lente (coupe du verre, peinture sur verre, cuissons, mise en plomb, encadrement...), et cette lenteur « artisanale » impose le calme, le recul .
Les gens qui visitent mon atelier me disent souvent trouver tout cela inattendu et serein.
Je vous propose ici quelques-uns de mes travaux numériques, travaux préparatoires, ou dérivés de vitraux déjà réalisés. Mais aussi quelques réalisations sur verre. (classées faute de mieux en catégorie "peinture")
Vous pouvez voir certains de mes vitraux sur mon site perso Bosselin.
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Mainly painter and glass painter (stained glass technique), I started in the late 80's working on an Atari graphics tablet. I usually prepare my projects with this tool.
The screens share with the glass the brilliance of transilluminated colors .
As a fast, impulsive and "gestural" draftsman, I have done a lot of work on digital media, for their ability to quickly develop projects and their variants.
Stained glass is a slow technique (cutting glass, painting on glass, cooking, setting lead, framing ...). This is counterbalance.
People who visit my studio often tell me to find all this unexpected and serene.
Here are some of my digital works, preparatory works, or derived from already realized stained glasses. And some stained glass pannels.
You can see some stained glass works on my personal website Bosselin.
- Nationality: FRANCE
- Date of birth : 1955
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists