Sari Orange (2019) Drawing by Bernard Des Roseaux

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Fine art paper, 11x8 in

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Dimensions of the file (px) 1035x1500
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Art image bank
  • Original Artwork (One Of A Kind) Drawing, Pastel on Canvas
  • Dimensions 17.7x13 in
    Dimensions of the work alone, without framing: Height 16.5in, Width 11.8in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed (Frame + Under Glass)
  • Categories Drawings under $1,000 Figurative Women Portraits
Cette œuvre représente une femme indienne vue de trois quarts arrière, regardant vers la droite. Elle est habillée d'un sari vert, avec une écharpe orange sur les épaules. Une longue tresse descend le long de son dos; elle est décorée de fleurs blanches. Pastel sec sur toile fine enduite de noir.
Cette œuvre représente une femme indienne vue de trois quarts arrière, regardant vers la droite. Elle est habillée d'un sari vert, avec une écharpe orange sur les épaules. Une longue tresse descend le long de son dos; elle est décorée de fleurs blanches. Pastel sec sur toile fine enduite de noir.

Related themes

Pastel SecIndienneTamil NaduFleursBlanc

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He attended the Académie Henri Goetz in Paris in the 1970s, then the Beaux-Arts de Saint Brieuc. He works in a variety of techniques: drawing, dry pastels, oil, acrylic, watercolour, inks, collage...,[...]

He attended the Académie Henri Goetz in Paris in the 1970s, then the Beaux-Arts de Saint Brieuc.

He works in a variety of techniques: drawing, dry pastels, oil, acrylic, watercolour, inks, collage..., and sometimes associates them with each other (mixed techniques).

He painted many figurative themes, sometimes close to hyper realism (in particular portraits and scenes of life in dry pastel) . He is now evolving towards a much freer painting, with very eclectic themes, sometimes reaching the limits of the abstract.

Indeed, the subjects ultimately have little importance, even if he favors in particular the portraits, life scenes, increasingly imaginary landscapes.

He often works in series, with a given medium. This allows him to give free rein to his intuition more easily, because it prevents him from working too long each time on the same painting, and bouncing from one to the other.

He tends more and more to let the painting build itself, letting the composition establish itself as the work continues.

Registered at the Maison des Artistes in Paris (D155301), he presented about fifty personal or collective exhibitions in France.

See more from Bernard Des Roseaux

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