"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
Artmajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of Artmajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine prints-
This work is an "Open Edition"
Digital Arts,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Categories Abstract Piano
Reflections est une composition du pianiste de Jazz Thelonious Monk (1952)
Comme pour les arts plus classiques, nombreuses sont les formes d’art digital. Il y a évidemment les images, qui ont une place prépondérante, mais également le son et le mouvement. Peinture numérique, animation 2d et 3d, photographie numérique, montages photo, light painting, stop motion, neen art, pixel art, game design, art fractal, estampe numérique, installations, mapping, net art, art génératif…
L’art digital est pluridisciplinaire et a cela de particulier qu’il peut faire entrer une problématique d’interaction entre l’artiste, l’œuvre et le spectateur.
Pour mes créations numériques j'en reste à l'image en deux dimensions pour le moment.
Je travaille sur deux alternatives pour le numérique.
En premier j'utilise des créations personnelles (Photos, Emprunts d'oeuvres célèbres, Peintures à l'Acryliques, ou dessins au fusain personnels) qui serviront de base à l'oeuvre numérique. L'oeuvre étant scannée ou photographiée servira de support.
Je travaille beaucoup avec les filtres (Couleur psychédélique, Fractalisation, Distorsions Déformation active, Mappages divers … ) Qui vont modifier l'oeuvre originale et lui donner une nouvelle apparence.
La deuxième alternative est de créer de toutes pièces une œuvre à partir d'une page blanche à l'aide des outils proposés par le logiciel. C'est en fait partir à l'aventure, tatonner, essayer des combinaisons de filtres, chercher en improvisant à trouver de nouvelles pistes. C'est une démarche qui n'est pas sans rappeler le parcours d'un soliste de Jazz qui à partir d'une mélodie improvise et se glisse dans des chemins de traverse parfois surprenants.
Le clair obscur tout droit issu de Rembrandt et Le Caravage m'inspire beaucoup et est à la base de nombreuses de mes conceptions numériques.
Le plus difficile dans le processus de numération est de savoir s'arrêter quand il faut !
Trop de numérique tue le numérique serai- je tenter de dire !
Related themes
Gipéhel (Jean-Paul Lecoeuvre) is self-taught.
In his youth, he approached painting through the figurative: landscapes and still lifes. After a long period of inactivity he took up his brushes again at retirement age
He discovered another universe: the abstract. The work of Hans Hartung was a shock for him. He was in tune with this pictorial universe of lyrical abstraction.
His favorite field is to paint with acrylics, sometimes with collages of paper on the canvas, to create reliefs or even the occasional use of Indian ink and sand.
Charcoal for him he likes it a lot, he practices a rapid improvisational gestural drawing which he leaves to rest to come back “cold” to it with an eraser, until he finds the result as satisfactory as possible! .
He finds his inspiration in biblical texts, music and themes that current events develop. His technique owes a lot to Jazz and improvisational music. He paints with this in mind, finding his way along side roads in search of new horizons.
He also explores virtual digital art which opens unsuspected doors, sometimes using his personal work as a basis for work. .
Happy discovery to all!
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Nationality:
FRANCE
- Date of birth : 1951
- Artistic domains:
- Groups: Contemporary French Artists
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