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Michel Simon (2018) Drawing by Vincent Haller
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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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Usage: Web Licence
1216 px | ||
1500 px |
Dimensions of the file (px) | 1216x1500 |
Use worldwide | Yes |
Use on multi-support | Yes |
Use on any type of media | Yes |
Right of reselling | No |
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Art image bank-
Original Artwork (One Of A Kind)
Drawing,
Charcoal
/
Pencil
on Paper
-
Dimensions
31.5x23.6 in
Dimensions of the work alone, without framing: Height 31.1in, Width 23.2in - Framing This artwork is framed (Frame + Under Glass)
- Categories Drawings under $5,000 Figurative Portrait
Dessin crayon fusain sur canson mi-teinte blanc.
J’utilise des crayons fusain, estompes, chiffons, mes doigts et différentes gommes.
Je joue avec les possibilités qu’offre naturellement le fusain et que nos ancêtres préhistoriques avaient déjà compris intuitivement.
Les effets de fondu, précis, granuleux, lisse, contrasté, doux, … permettent de donner l’illusion de la lumière et des ombres qui sculptent le visage et fait apparaître le grain de la peau, l’humidité de l’œil, le velouté de la bouche…
Related themes
With an engineering background, his work reflects the precision and the graphic rigor of the plans realized on drawing board, but he also explores various graphic techniques according to the subjects which he likes.
He appreciate the variety in his pictorial approach, also his work is in this image: very diversified!
What returns the work of this particularly surprising and interesting artist; so, “we have the impression to see the work of several people” we can read in the visitors' book of his exhibitions.
The used graphic techniques:
Mixed technical India ink, red chalk, pastel, watercolor, acrylic, oil painting, engraving…
"The craft preparatory process is long but necessary to obtain a good final quality"
So, he build his frames and makes his medium to paint for the oil painting from an emulsion created with resin of dammar, methyl of cellulose, linseed oil, stand oil, turpentine, and siccative…
His favorite subjects:
His daughter, the mythological themes, the nature, wrecks of cars and boats, life class, portrait.
His favorite painters:
Rembrandt, Dürer, Monet, Klimt.
Vincent Haller is at present on the art class of Chauvigny (Poitou-Charentes region in France) and benefits from good advices of the recognized fresco painter Jean-Jacques Jolinon.
He is also a member of the association Odalisque of Saint Benoît.
- Nationality: FRANCE
- Date of birth : 1972
- Artistic domains:
- Groups: Contemporary French Artists