"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
Artmajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of Artmajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 926 px | ||
|
1500 px |
| Dimensions of the file (px) | 926x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
Download immediately upon purchase
This image is available for download with a licence: you can download them at anytime.
Restrictions
All images on Artmajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
This work is an "Open Edition"
Digital Arts,
Giclée Print / Digital Print
on Paper
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
Por ser uma atividade artesanal, gravuristas podiam dominar e empregar uma grande variedade de efeitos a partir de diferentes técnicas impraticáveis na produção mecanizada, como a criação de gradações de cor, por exemplo.
No começo do século XVII, a burguesia da próspera Edo (hoje Tóquio) passou a buscar entretenimento nos teatros de kabuki e com as oirans e geishas das yūkaku, zonas de meretrício. O termo ukiyo ("mundo flutuante") descrevia o estilo de vida hedonista da era. Pintadas ou impressas, essas obras de artes visuais eram populares entre os burgueses, abastados o suficiente para adquiri-las a fim de decorar suas casas. O sucesso começou já na década de 1670, com as pinturas e gravuras monocromáticas de Hishikawa Moronobu, retratando a beleza feminina.
A impressão colorida surgiu gradualmente — a princípio adicionada meticulosamente à mão e apenas em casos especiais.
Por volta dos anos 1740, artistas como Okumura Masanobu usavam múltiplos blocos de madeira talhados em baixo-relevo para criar áreas coloridas. A partir de 1760, o sucesso das gravuras brocadas nishiki-e de Suzuki Harunobu levou a produção em alto apuro de cor a tornar-se padrão, com cada item sendo concebido a partir do uso de dez ou mais blocos.
O auge do período, em quantidade e qualidade, foi marcado por peças que retratavam a beleza e o teatro, criadas por mestres como Torii Kiyonaga, Kitagawa Utamaro e Tōshūsai Sharaku ao final do século XVIII
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