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Seller Pauleone
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Art image bank-
Original Artwork
Painting,
Acrylic
on Wood
- Dimensions Height 31.5in, Width 23.6in
- Categories Paintings under $1,000
selon technique propre et novatrice de l'artiste qu'il désigne comme "l'art du vitrail sur bois" afin
d'obtenir sur un cadre l'effet visuel des vitraux.
Pour arriver à ce résultat:
1- l'artiste dessine sur une plaque de contreplaqué son oeuvre.
2 - avec une scie sauteuse il découpe les différentes parties selon le tracé dessiné.
3 - il colle ses petites parts sur une autre plaque de contreplaqué.
4 - il bouche les interstices des découpes avec un enduit blanc (ce sont toutes les lignes blanches que l'on peut observer.)
5 - il peint en aplat les différentes parts avec de la peinture acrylique.
6 - finition par une couche de vernis pour stabiliser les couleurs.
L'artiste, âgé de 82 ans, est très connu en Bretagne où il expose souvent.
Il vivait jusqu'à 2008 en Amérique du Sud.
Très actif, il vit actuellement en Finistère (France)
Nombreux commentaires élogieux de la presse.
Des dizaines d'articles sont accessibles si vous recherchez sur Internet le nom de "Paul Leone", vous retrouverez des références sur les nombreux articles que la presse lui a consacré tels que:
"Musée:Des toiles proches du vitrail","Expo Paul Leone:Un festival de couleurs","Maison de pays:Une exposition innovante et lumineuse","Passage à la télévision et exposition pour Paul Leone","Exposition: Exotisme et couleurs, le naïf sur bois.Peinture de Paul Leone")
Il suffit de taper ces textes sur votre chercheur pour aboutir aux articles.
Inspired by master glassmakers, I design my paintings like stained glass windows.
I break down light, shapes and colours into constant spaces that I transfer to a sheet of plywood.
Then, I cut out all the parts thus drawn, with a jigsaw.
I glue everything back together and in order, on another sheet of plywood, a bit like a puzzle.
I fill all the joints with plaster (these are the white lines visible on my paintings).
Then I paint all these spaces using full shades and avoiding, as much as possible, gradients and fades and half-tones.
A bit like in a stained glass window where you assemble pieces of glass of different colours and shapes.
I think I am the only one to use this technique which offers multiple advantages, such as robustness, durability and especially the possibility of change the colors and shades, space by space, without having to redo or overload the painting.
All the white lines, clearly visible, bring more life and strength to the representations; something impossible to achieve on a canvas.
For several years, the press and the media have praised my work during the many exhibitions that I have held in Brittany. Just type my first and last names on the search engines to access many comments.
- Nationality: FRANCE
- Date of birth : 1937
- Artistic domains:
- Groups: Contemporary French Artists