china in Cévennes_2 (ex 1/2) (2016) Digital Arts by Olivier Gilet
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| 1000 px | ||
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1500 px |
| Dimensions of the file (px) | 1000x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
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| Max number of prints | 0 (Zero) |
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Art image bank-
Original Artwork
Digital Arts,
Digital Painting
on Paper
- Dimensions Height 23.6in, Width 35.4in
- Categories Digital Arts under $1,000 Figurative
Tirages limités à 2 exemplaires sur papier Beaux-Arts 310gr (qualité d'archivage muséal).
Autres formats et versions disponibles sur demande.
Toutes mes œuvres sont signées et livrées avec certificat d'authenticité.
Print 1 (limited edition of 2) on Fine art paper 310 gr ( Archival museum quality)
Related themes
When I left childhood, I started drawing, rather clumsily. Lines, graffiti, scribbles, in a power struggle with the frenzy of the primary forest in which I had been immersed since my early years, in Africa. Drawing, piano, always raw and clumsy, while refusing to learn the technique. Even now, I ask myself the question: was it pride, rebellion or a naive desire to remake the world on a blank page?
A world that has too much memory, too much culture, now it becomes cumbersome and oppressive.
Today's art is not often on the side of real life. Luxury objects for a digital society, with an aging hard drive.
Mnemosyne, mother of the muses, is said to have created language and writing. The contemplated landscape needs neither words nor thoughts, and it has its own structure.
Jimmie Durham (Writings and Manifestos): "More and more things are being contested, refused, questioned in art. Which is always good, I think, always exciting, but it throws us into increasing disarray. And the moment we begin to realize that there is an art industry, with millions of artists, at that precise moment, we realize that we have not the slightest idea of what art could be. And we are afraid that it may be nothing at all. It is impossible to imagine what it could be. And we get more and more agitated, and all sorts of good little ideas are added to each other, almost as if, wading in water, we are waiting for a possible collective solution. And I believe that this situation probably stems from the very strong tradition of questioning art that runs through the entire 20th century."
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Nationality:
BELGIUM
- Date of birth : 1954
- Artistic domains:
- Groups: Contemporary Belgian Artists
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