"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
Artmajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of Artmajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 990 px | ||
|
1500 px |
| Dimensions of the file (px) | 990x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
Download immediately upon purchase
This image is available for download with a licence: you can download them at anytime.
Restrictions
All images on Artmajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
This work is an "Open Edition"
Photography,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
Qui sui-je ?
"Olivier Barré, petit bout d'homme, timide et réservé, de 42 ans, né chez les CH'TIS, se réfugie dans la douceur de la photographie il y a maintenant 9 ans. Autodidacte, il cherchait un passe temps reliant l'image, l'informatique et les rencontres. Après s'être adonné à la peinture en tout genre, il s'est rendu compte que la photo reliait tout ce qu'il aimait. Il photographie parce qu'il s'extasie de voir que la lumière des projecteurs mêlant son travail, donne forme à un monde qu'il n'aurait jamais pu voir s'il ne l'avait pas créé. Et chacune de ses photos raconte une histoire. Il commence ses essais personnels juste avec un reflex, passe aux photos conceptuelles puis undergrounds. Après quelques stages de perfectionnement avec Jean-Luc Fournier et Yann de Fareins, il travaille l'image de la femme comme il pourrait modeler la terre. Il se penche d'abord sur la sensualité, aborde la sexualité, se mélange au rêve, pour se confondre dans le désir en laissant parler les émotions, autour de séances d'effeuillage. Si une envie vous prend, un seul numéro à faire, celui d'Olivier. Olivier Barré, petit bout d'homme de 42 ans, photographe." - Camille
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Nationality:
FRANCE
- Date of birth : 1977
- Artistic domains:
- Groups: Contemporary French Artists
See more from Olivier Barré
