Not For Sale
Seller Ekaterina Nikidis
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
Artmajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of Artmajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1124 px | ||
|
1500 px |
| Dimensions of the file (px) | 1124x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
Download immediately upon purchase
This image is available for download with a licence: you can download them at anytime.
Restrictions
All images on Artmajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
Original Artwork (One Of A Kind)
Painting,
Watercolor
on Paper
- Dimensions Height 17.9in, Width 12in
- Framing This artwork is not framed
- Categories Paintings under $500 Figurative
“Unseen” — the series of watercolours -—were conceived after a study of Russian illuminated manuscripts of the 17th century. They do not copy historical patterns, but they are obviously their heirs.
The picture is connected with the modern botanical painting: a white surrounding space, the floral object stands out vividly, there are no shadows and a single light source.
Why “unseen”? The answer is quite simple. None of these plants have ever existed. Many of the flowers have no natural analogues, and the shape of the leaves is completely impossible. At the same time, many of them do have a fairly bright illusion of volume and realism. Only in the painting, at the whim of the artist, this previously unseen plant suddenly becomes real.
Related themes
Artist Statement
I always emphasise the decorative side of my artworks. But as is often the case in life, behind the luxury cover there is something that one had particularly carefully wanted to hide. The beauty captured in my artworks has never existed — it is just a game of consciousness transferred to the material. It is an illusion created with a longing for the past or the never-past.
The figures are connected by thin threads of mutual stories. I suggest to the viewer discover them.
In my artworks, I explore the phenomenon of human identification (including self-identification) through the objects of the material world created or used by them. The study of the "person - artifacts" link led me to the series that depicts the surrounding objects as independent players involved in the story.
In contrast to this solidly existing matter, I pay attention to the imperceptibly passing moments. Shadows, iridescent light, a cloud, a passing glance... For these subjects, I use a different style of painting, as blurred as the captured scenes.
So, my practice is a journey between eternity and a moment, light and shadow, history and the present day, matter and illusion. It's an endless exploration of different spaces, the essence of things, and the depth of human minds.
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Nationality:
RUSSIA
- Date of birth : 1987
- Artistic domains:
- Groups: Russian Contemporary Artists
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