Melancolie (2017) Painting by Muriel Ho Paintings

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Sold by Muriel Ho Paintings

  • Original Artwork (One Of A Kind) Painting, Watercolor on Paper
  • Dimensions Dimensions are available on request
  • Framing This artwork is not framed
  • Categories Figurative
Watercolor on Canson paper after Portrait of a young girl by Gauguin About this artwork: Classification, Techniques & Styles Watercolor Watercolor is a[...]
Watercolor on Canson paper after Portrait of a young girl by Gauguin

Related themes

Jeune FilleCouleurVioletGauguinInterieur

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Exhibitions 2021: Galerie Villa Havraise in Le Havre (76) from March 1 to 31, 2021. Exhibition of 3 works. Galerie Thuillier Paris 3rd from March 19 to April 1. Collective exhibition[...]

Exhibitions 2021:

Galerie Villa Havraise in Le Havre (76) from March 1 to 31, 2021.

Exhibition of 3 works.

Galerie Thuillier Paris 3rd from March 19 to April 1. Collective

exhibition Jury Prize 2021

Personal exhibition at the Chateau de Lagord near La Rochelle from

March 31 to April 27, 2021.

La Rochelle Plastic Arts Fair from June 28 to July 31, 2021 (at the

same time as the Francofolies).

Distinctions: Jury Prize at the Salon International de La Rochelle

2020 for my painting "Les Messagers" Medalist at the Salon

International de La Rochelle

Exhibitions 2020:

- International Exhibition of Plastic Arts in La Rochelle from October

22 to November 6, 2020

- Galerie Thuillier 13, rue de Thorigny 75003 from July 3 to 16, 2020

- Art Capital at the Grand Palais Salon des Independants 2020 February

2020

- Salon of Independent Norman Artists February 2020

Exhibitions 2019

- Galerie Thuillier Paris 3rd in June 2019

- Salon des Artistes Independants Normans Rouen in February 2019

Artistic approach

I idée in Acrylicpainting because it alone gives me the speed of

execution I need. I let my subconscious express itself within a

figurative structure, most often springing from an abstract

background.

My paintings must be done quickly because the writing must be as

spontaneous as possible. I do not sketch and draw the outline of my

portraits, of women almost exclusively, with a brush.

I always start with the eyes because I need to capture the soul of my

subject which will accompany me throughout the construction of the

canvas.

These women wonder and question, slightly feverish, worried, revealing

their doubts and wounds but also their strength.

I work a lot on presence. It is essential for me.

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