"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
Artmajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of Artmajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
1004 px | ||
1500 px |
Dimensions of the file (px) | 1004x1500 |
Use worldwide | Yes |
Use on multi-support | Yes |
Use on any type of media | Yes |
Right of reselling | No |
Max number of prints | 0 (Zero) |
Products intended for sale | No |
Download immediately upon purchase
This image is available for download with a licence: you can download them at anytime.
Restrictions
All images on Artmajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
This work is an "Open Edition"
Photography,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Categories Abstract
Related themes
Monique Gray discovered her love of art as a child when she saw her brother drawing. She began to draw and eventually began photographing with a Diana camera she won in a small contest. During her high school years she visited her family in French Guiana and saw her cousin photographing and then processing film in an attic. She became curious about the full process and took a photography class and fell in love with the darkroom process. She then went on to attend Lemuel Penn Career Development Center where she met and learned photojournalism from Llewellyn Berry {en/member/kindalewgallery}. He was a great influence in the college she chose as she wanted to definitely continued learing from an art perspective and not specifically journalism. Once leaving high school she attended and graduated from The Corcoran School of Art/Corcoran College of Art and Design. During that time she studied fine art, print making, painting, of course photography and also worked as an intern for a commercial photographer where she learned a great deal of lighting and product placement. This became very important as it helped her to learn control over certain subject matter for still life photography.
After graduating she went on to work as a darkroom lab technician at USA TODAY and eventually became an assistant photo editor. All the while still taking photographs of her own. After many years at the paper she desired a change and new challenges. She went to work at AOL as a photo editor and shortly there after became senior photo editor.
Her hectic life kept her from doing her art full time but she kept creating quietly in the background. Her role in her career helped keep her involved and aware of the growing changes in photography specifically the development of Photoshop and how that impacted the field. While she will use Photoshop she prefers to stick some of the more traditional uses as if it were a darkroom. Like burning, dodging and cleaning up the image. Occasionally something will warrant a Photoshop creative moment but she prefers the image be true to what she originally shot in camera. Her vision of the world isn't always the full blooming flower or street scene but a few petals glistening in the light or a found object with simple lighting.
Currently her vision through the macro lens is a passion. She will be adding other forms of art in the future so please come back to visit.
- Nationality: UNITED STATES
- Date of birth : 1960
- Artistic domains:
- Groups: Contemporary American Artists