"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
Artmajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of Artmajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine prints-
This work is an "Open Edition"
Photography,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
The narrative character and the banality of the photo, subverted by the resources of the computer graphics, they motivate the appreciation focused on the standards of plastic composition
Matheus Gorovitz (1938), professeur titulaire retraité de la Faculté d’Architecture et Urbanisme de l’Université de Brasilia / FAU-UnB, où il a enseigné les disciplines d’Histoire de l’Art et Esthétique dans les cursus de deuxième et troisièmes cycles (depuis 1973). Diplômé par la Faculté d'Architecture et Urbanisme de l'Université de São Paulo / FAU-USP où il a obtenu son master et son doctorat. Il a été boursier postdoctoral à l'Université Paris I Sorbonne (2000).
Auteur des livres : Brasília, uma questão de escala, Os riscos do projeto et co-auteur, avec Marcílio Ferreira, de A invenção da superquadra.
Auteur des projets d'architecture de la Faculté des Etudes Sociales Appliquées, de la Station Essence et du Pavillon rattaché à la station, tous sur le campus de l'Université de Brasilia.
Expositions :
1998 – Matheus Gorovitz / Julien Gorovitz – Espaço Cultural do Banco Central do Brasil – Brasília ;
1998 – Artes gráficas – Mostra Panorama das artes visuais no Distrito Federal – Brasilia ;
2000 – Desenhos – Galeria Arktetonicos – Brasilia ;
2001 – Coletiva de pinturas na 3ª Bienal de Arquitetura de Brasília ;
2001 – Mostra de desenhos – Instituto de Arquitetos do Brasil / DF ;
2001 – Projeto Remix – Mostra de desenhos computadorizados – Espaço Cultural Renato Russo – Brasilia ;
2003 – Exposição de pinturas – Instituto de Arquitetos do Brasil.
- Nationality: BRAZIL
- Date of birth : unknown date
- Artistic domains:
- Groups: Contemporary Brazilian Artists