collage_01.jpg Printmaking by Matheus Gorovitz

Sold by Matheus Gorovitz

Certificate of Authenticity included

This artwork appears in 1 collections

Original Artwork Printmaking,

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Dimensions are available on request
Categories Printmaking under $500

Collage

Combino imagens de épocas distintas, vivencias do cotidiano e outras do acervo artístico que a memória retém, imagens emblemáticas. Prevalece a concomitância entre diacronia e sincronia, aqui enfatizada pela planaridade do texto em contraste com a atmosfera em profundidade – a dicotomia suscita inquietude e desafia o sujeito a se posicionar, a encontrar-se. A imagem reitera assim o sentimento pressentido por Shakespeare: But then are we in order when we are most out of order. Em suma, o sentido visado é o tempo – a história, não a natureza.

I combine different images, experiences of everyday life with emblematic works of art that memory retains. It prevails the concomitance between diachrony and synchrony, emphasized by the planarity of the texts in contrast to the atmosphere in depth – the dichotomy raises restlessness and challenges the subject to position and so find himself. The image thus reiterates the sentiment felt by Shakespeare: But then are we in order when we are most out of order. In short, the intended meaning is time – history, not nature.

Matheus Gorovitz

Brazil

Matheus Gorovitz (1938), professeur titulaire retraité de la Faculté d’Architecture et Urbanisme de l’Université de Brasilia / FAU-UnB, où il a enseigné les disciplines d’Histoire de l’Art et Esthétique dans les cursus de deuxième et troisièmes cycles (depuis 1973). Diplômé par la Faculté d'Architecture et Urbanisme de l'Université de São Paulo / FAU-USP où il a obtenu son master et son doctorat. Il a été boursier postdoctoral à l'Université Paris I Sorbonne (2000).
Auteur des livres : Brasília, uma questão de escala, Os riscos do projeto et co-auteur, avec Marcílio Ferreira, de A invenção da superquadra.
Auteur des projets d'architecture de la Faculté des Etudes Sociales Appliquées, de la Station Essence et du Pavillon rattaché à la station, tous sur le campus de l'Université de Brasilia.

Expositions :
1998 – Matheus Gorovitz / Julien Gorovitz – Espaço Cultural do Banco Central do Brasil – Brasília ;
1998 – Artes gráficas – Mostra Panorama das artes visuais no Distrito Federal – Brasilia ;
2000 – Desenhos – Galeria Arktetonicos – Brasilia ;
2001 – Coletiva de pinturas na 3ª Bienal de Arquitetura de Brasília ;
2001 – Mostra de desenhos – Instituto de Arquitetos do Brasil / DF ;
2001 – Projeto Remix – Mostra de desenhos computadorizados – Espaço Cultural Renato Russo – Brasilia ;
2003 – Exposição de pinturas – Instituto de Arquitetos do Brasil.