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repos (2015) Painting by Maryvonne Deligny (MLD)
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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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Usage: Web Licence
1097 px | ||
1500 px |
Dimensions of the file (px) | 1097x1500 |
Use worldwide | Yes |
Use on multi-support | Yes |
Use on any type of media | Yes |
Right of reselling | No |
Max number of prints | 0 (Zero) |
Products intended for sale | No |
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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Ink
on Cardboard
- Dimensions Height 11.8in, Width 15.8in
- Framing This artwork is framed (Frame + Under Glass)
- Categories Paintings under $1,000 Abstract
Maryvonne Deligny est une artiste, qui décline ses silhouettes au féminin, tout comme ses abstractions, avec l'idée de ne laisser au-travers de ses créations qu'une trace momentanée d'existence.
Ses oeuvres ne sont qu'empreintes, traces éphémères, comme si chaque trait trop précis devenait tabou, comme si la vision floue des sujets devait se confondre avec le support, comme si tout dans son oeuvre n'était que mémoire fugace à découvrir derrière la brume et la rouille.
Elle découvre la peinture en 1987 et s'inscrit à l'école des Beaux Arts de Perpignan qu'elle fréquentera pendant six années en travaillant parallèlement dans différents ateliers. Elle multiplie les recherches personnelles sur des techniques nouvelles et sur la matière. Très certainement son engouement pour les fresques l'amène à rechercher et à trouver cette technique qu'elle appelle "empreinte". Elle utilise des grosses toiles libres de tout chassis et y pose sa composition. Le résultat nous fait effectivement penser aux fresques murales. C'est l'incursion de la matière dans la matière, sans repentir ni surcharge qui seraient néfaste au résultat. La sureté du trait est obligatoire.
Acrylique, fusains, encres me laissent toute liberté -suggestions,illusions traces éphémères.....
La citation d'Henri Miller ( Le sourire au pied de l'échelle )
Nous n'inventons rien vraiment,
Nous empruntons et recréons,
Nous dévoilons et découvrons
m'a certainement confortée dans "la trace et l'empreinte "en particulier pour mon thème " Dévoilement sur les chemins"
La Toile d'or en 2013 m'a été attribuée pour ce thème par la Fédération de la Culture Française
- Nationality: FRANCE
- Date of birth : 1950
- Artistic domains: Works by artists with a certified artist value,
- Groups: Certified Artists Contemporary French Artists