Painting titled "AN AMAYSING TIME FO…" by Marina Clemente, Original Artwork, Acrylic

AN AMAYSING TIME FOR NO REASON (2018) Painting by Marina Clemente

Name: ARTMAJEUR
Brand: ARTMAJEUR
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1467 px
	1500 px

Dimensions of the file (px)	1467x1500
Use worldwide	Yes
Use on multi-support	Yes
Use on any type of media	Yes
Right of reselling	No
Max number of prints	0 (Zero)
Products intended for sale	No

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This artwork appears in 7 collections

Original Artwork Painting, Acrylic on Canvas

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 39.4in, Width 39.4in
Categories Paintings under $5,000 Expressionism

About this artwork: Classification, Techniques & Styles Acrylic Paint using traditional pigments mixed with synthetic resins. [...]

Marina Clemente

France

Marina Clemente is a contemporary painter based in France. Text plays a crucial role in her artistic endeavors, encompassing randomly heard, seen, or memorized quotes, film dialogues,[...]

Marina Clemente is a contemporary painter based in France. Text plays a crucial role in her artistic endeavors, encompassing randomly heard, seen, or memorized quotes, film dialogues, songs, or advertisements, along with phrases that permeate her everyday life. Each of these snippets becomes part of a dedicated list, which she turns to whenever seeking a new creative impetus for her projects. The appeal lies in the eccentric expressions, intriguing words, and the inherent incompleteness of these texts. They offer the fascinating opportunity to be interpreted in different ways, fostering a sense of curiosity and depth in her artwork.

Enchanting words and phrases dance in her mind, and in their wake, face paintings come to life. What unites all these portraits is the theme of androgyny. Sometimes, the faces of her androgynous subjects appear distorted or intentionally unfinished, with certain features obscured by expressive and intense brushstrokes, as if the artwork itself resists releasing its breath.

On some portraits, additional elements like masks, piercings, or scars adorn the faces. These distortions and expressions stem from her immediate reaction to the phrases, serving as anthropomorphic visualizations. The words seem to echo all around, yet she grants them a certain silence and sensuality. The text, the word, holds an essential role in her work as a painter, infusing her creations with a unique and captivating essence.