Fumer Tue (2021) Collages by Marion Revoyre

Collages on Paper, 10.8x8.2 in
$215.18
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  566 px  

749 px
Dimensions of the file (px) 566x749
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Art image bank
One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork is framed
This artwork appears in 2 collections
  • Original Artwork (One Of A Kind) Collages, Collages on Paper
  • Dimensions 14x11 in
    Dimensions of the work alone, without framing: Height 10.8in, Width 8.2in
  • Framing This artwork is framed (Frame + Under Glass)
  • Categories Collages under $500 Surrealism
Perdue dans les volutes de fumées. Cigares, cigarettes ou autres expériences enfumées, un voyage aussi initiatique que dangereux. Simple information ou réalité dérangeante, nos addictions sont le miroir de nos personnalités. On laisse la fumée s'échapper et la détente s'ouvrir à nous.
Perdue dans les volutes de fumées. Cigares, cigarettes ou autres expériences enfumées, un voyage aussi initiatique que dangereux.
Simple information ou réalité dérangeante, nos addictions sont le miroir de nos personnalités.
On laisse la fumée s'échapper et la détente s'ouvrir à nous.

Related themes

FemmeFumerFuméeLèvresVolutes

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Artiste autodidacte, Marion Revoyre grandit en région bordelaise. Fille d’une mère syndiquée et d’un père gastronome elle est baignée dans un milieu culturel riche et varié et fait ses premiers pas dans un[...]

Artiste autodidacte, Marion Revoyre grandit en région bordelaise. Fille d’une mère syndiquée et d’un père gastronome elle est baignée dans un milieu culturel riche et varié et fait ses premiers pas dans un atelier de la maison de quartier, chez Jean-Marie. 

Un atelier qui lui laissera une empreinte diffuse, celle de tous les possibles. Usant de son imagination sans failles elle se créé petit à petit un monde de plus en plus teinté par ses expériences traumatiques, son goût pour la politique et son éclectisme culturel. 

Attirée par la musique dans un premier temps, elle dessine, coud, chante, photographie et c’est finalement le collage et la sculpture qui lui permettront de s’exprimer pleinement. 

Toujours soucieuse de correspondre à elle ne sait quoi elle se fustige de transporter un bagage de connaissances culturelles undergrounds et décalées jusqu’à ce qu’elle comprenne qu’elles sont son essence propre. De cela elle prend particulièrement conscience lors de son exposition à Paris dans le cadre du festival des formes radicales où elle présente une œuvre cathartique, « Introjectée ». 

Sans inspirations précises elle se range malgré tout du côté des subversifs et veille à ne pas se limiter. Les différents prix qu’elle reçoit lui prouvent que son art a sa place dans ce monde et c’est ainsi qu’elle se veut artiste libre, engagée à ce que chacun.e de ses consœurs et confrères puissent vivre de son métier dans un monde libéré de frontières.

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