Vsevolod Salishev is an erotic artist from St. Petersburg who explores the subtle interaction between the human body and nature through works imbued with sensuality and abstraction. His concept of "double vision" and his suggestive paintings have earned him international recognition, with over 500 works in private collections.
Martin Wieland, Austrian photographer born in 1970, enhances the body and emotion through powerful images, between controlled eroticism and timeless aesthetics. Trained in Vienna and recognized internationally, he has been developing for more than two decades a coherent, sensitive, and striking body of work. His work is part of a demanding artistic approach where each photograph becomes a visual and emotional encounter.
A French school faced controversy and a resulting staff strike due to the display of a 17th-century nude Renaissance painting by Giuseppe Cesari, causing discomfort among students. The incident, which led to the intervention of France's Minister of Education and echoes a similar controversy in Florida earlier in the year, sparked a debate about the display of nude art in educational settings.
A sunflower farm near London is grappling with a surge in risqué photos as visitors shed their clothes among the blossoms. The farm has responded by displaying signs and using social media to remind guests to maintain decency and respect the family-friendly atmosphere.
The female nude has been, since the dawn of human civilization, at the center of the art historical narrative, which, in a sense, has been more accepting of the externalization of this type of physicality, compared to the male nude...
The history of female nudity in art is never the same, as different societies and cultures have accepted nude scenes to varying degrees over the centuries and millennia. Indeed, nudity in art reflects the social norms of a given time and place, referring to the ways in which things are represented, indelibly linked to the conception of what is right or wrong to depict...
The monochrome: The use of a single color, in gradation from shadow to light, in a way prolongs the experience with Isabelle Lebret's clay, because there is a parallel between her work and sculpture. ..
The bodies are beautiful, and they are naked. But facing the light, facing the autumnal nature, facing the monuments that emerge, these naked bodies are only a vain counterpoint to the battles that may have taken place in these places.
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