Not For Sale
Seller Linda Schneider
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
Artmajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of Artmajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine prints-
Original Artwork (One Of A Kind)
Drawing,
Graphite
/
Conté
/
Ink
/
Pencil
/
Pigments
on Paper
- Dimensions Height 10.6in, Width 7.5in
- Framing This artwork is not framed
- Categories Drawings under $500 Impressionism
This drawing is one of the first I made after attending a workshop held by art tutor Catherine Hamilton in Melbourne Australia. This drawing incorporates many of the techniques that Catherine showed the attendees during the workshop. I've layered a basic charcoal drawing with wet and dry ArtGraph in earth colours, and layers of ink and graphite. Between each layer, I rolled a thin layer of transparent gesso. The technique creates an organic or geological layring of patinas through which the drawing gradually develops.
In this work, I was careful to reserve the integrity of each layer of the drawing and applied thin layers of gesso, as does Catherine. However, in my recent work, I have been painting thick layers of transparent gesso for a different effect.
I chose this particular model because he is different to the majority of models that I've experienced.
Related themes
I grew up on a mixed farm, until I went to high school aged 11 in the Wimmera district in Victoria Australia. At high school, unable to timetable both Art and Math, I studied the latter by correspondence in the school library. I was not very disciplined and spent most of my time looking through Art books. Later, I completed a Diploma in Fine Art (Painting), and a Graduate Diploma (Sculpture). Wanting to travel, I gained further qualifications in teaching, linguistics, and languages.
My work is largely auto-biographical and incorporates elements of my history and my future goals – even before I am consciously aware of these goals or historical references myself. I am currently drawing with a variety of mark-making media, and painting in both acrylic and oils.
I believe that practice, and physiological and mental predispositions, combined with life and incidental circumstances, confirm the direction and so-called talent of any individual. As humans who have evolved and endured, we sought patterns in nature which helped our species to survive. Now we revive those patterns in our culture. We see relationships everywhere; in nature, mathematics, science, storytelling, music and in the visual arts etc. We often are unconsciously aware of these patterns.
-
Nationality:
AUSTRALIA
- Date of birth : 1957
- Artistic domains:
- Groups: Contemporary Australian Artists
See more from Linda Schneider
