Roussillon (2011) Painting by Jean-Noël Le Junter

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Fine art paper, 10x8 in

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Cette huile a été réalisée sur le motif au pied du village de Roussillon, classé parmi les plus beaux villages de France. C’est ici que se trouve le plus grand gisement d’ocre au monde. Les façades des maisons recouvertes de crépis jaune, orange ou ocre rouge démarquent totalement Roussillon des autres villages du Luberon. C’est le seul village où[...]
Cette huile a été réalisée sur le motif au pied du village de Roussillon, classé parmi les plus beaux villages de France. C’est ici que se trouve le plus grand gisement d’ocre au monde. Les façades des maisons recouvertes de crépis jaune, orange ou ocre rouge démarquent totalement Roussillon des autres villages du Luberon. C’est le seul village où la pierre sèche ne domine pas. Alors, quelle surprise lorsque l’on découvre, au cœur du Luberon, ce village coloré entouré de vignes, de champs de lavande, de cerisiers et d'oliviers !

Related themes

RoussillonOcreVillage PerchéVaucluseProvence

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Jean-Noël Le Junter is a contemporary French artist. Following his studies, he spent time in various countries, including Scotland, England, the United States, and Greece.[...]

Jean-Noël Le Junter is a contemporary French artist. Following his studies, he spent time in various countries, including Scotland, England, the United States, and Greece. During his stay in these places, he attended evening classes at renowned institutions such as Beaux-Arts, the Glasgow University Arts Club, and participated in various workshops.

Though he has been engaged in painting since the 1970s, it wasn't until 1995 that he began showcasing his artwork publicly. He officially became a registered professional at the Maison des Artistes on January 1, 2000, and has since been an active member of several national and international art fairs. Furthermore, his work has been featured in approximately fifteen galleries across France.

Jean-Noël Le Junter's preferred artistic themes include the landscapes and harbors of the South of France, nudes, bulls, and the dancers of Sevillanas. His focus lies more on capturing atmospheres rather than reality, aiming to convey his emotions and impressions by synthesizing the essence of the subject. Additionally, he gives precedence to colors in his artistic expression.

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