Lease artwork "Muse Au Soleil 81X100 Ou 40F" by Isabelle Delamarre with an option to purchase
Paintings by Isabelle Delamarre are available for lease with purchase option
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Frequently Asked Questions
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
About the author
Very impressed by the pictures painted by my grandmother in Indochina, I inherited her box of oils. My family refused me to present the fine arts. It was not a job or a place for a young girl in 1970. It was enough to integrate Penninghen.
Painting is above all not a job , besides I have my job as a teacher in Applied Arts.
It's a deliberately free act, a way of being able to express something that seems obvious to me and that others don't see and that is updated by a process of updating. damages or intervenes the memory that mixes with the present moment. A kind of digestion at some point.
My first discovery was Lacquer, its material beauty, a rare and complete technique. (engraving gilding Coromandel) Then apprenticed in the job of lacquerer at ENSAAMA, diploma from the school, then job at the Saint Sabin workshops for Jansen in Paris, and Chaumet in restoration and creation.
I very early in 1978 initiated a creativity workshop using only recycled materials...influenced by outsider art, I endeavored to understand what is the source of the material. art, the creative moment...or the need to do, to empty oneself, to remember and to heal oneself through the materialization of a thought that tries to hold back time.
I don't I am constantly enriching my knowledge with old-fashioned painting at Pôle Atelier. At that time I participated in several small competitions on the banks of the Seine with prizes.
At the same time I discovered Engraving at the Maurice Denis Museum in Saint Germain en Laye. ..then to the ETR Ballistic workshop. Various stays in America, Spain, Tunisia enrich my memories.
Copper engraving is a way for me to reassess my impression with each print because "to start again is not to redo" ; (César) especially since the technique is artisanal.
Since 2013 you can find me in the engraving section at Art en Capital grand palais Paris every year in February.
Downloaded works here are recent works, this is only the visible part of my work.
Adolescence in Mallorca where I definitely return in 2019 and a trip to America, or the other side of the mirror.. from which I also draw my inspiration
Member of Manifestampe and the Taylor Foundation.
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Nationality:
FRANCE
- Date of birth : 1951
- Artistic domains: Works by artists with a certified artist value,
- Groups: Certified Artists Contemporary French Artists
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