Lease Paintings by Ulrich De Balbian

Lease artwork "Holding On" by Ulrich De Balbian with an option to purchase

Paintings by Ulrich De Balbian are available for lease with purchase option

Painting titled "holding on" by Ulrich De Balbian, Original Artwork, Oil
holding on (2011)
Painting by Ulrich De Balbian - 18.1x40.2 in
$387,985.45

Select your monthly installments:

Monthly installments
€33,713.11
Residual value
€10,920.96
Tax Savings
€124,906.95
Total Cost
€324,284
Monthly installments
€19,104.94
Residual value
€10,920.96
Tax Savings
€130,677.92
Total Cost
€338,762
Monthly installments
€13,834.82
Residual value
€10,920.96
Tax Savings
€141,945.39
Total Cost
€367,029
Monthly installments
€10,863.01
Residual value
€10,920.96
Tax Savings
€148,605.84
Total Cost
€383,740
* This is an indicative simulation only. A contractual proposal will be sent to you after study of your supporting documents and validation of your file by our financial partner.

Leasing information request "Holding On"

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Frequently Asked Questions

What are the advantages of leasing works of art?

  • Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
  • Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.

How are the prices of monthly payments for leasing works of art set?

  • The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.

Can we buy the work after the leasing period?

  • Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).

How are the safety and insurance of works managed?

  • Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.

What are the conditions for terminating the leasing contract before its end?

  • Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

More info

holding on (2011)
Painting by Ulrich De Balbian - 18.1x40.2 in
Painting titled "holding on" by Ulrich De Balbian, Original Artwork, Oil

About the author

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The prices in the catalogue iare INcorrect as the work should be priced from $500,000 upwards. Contact the artist or curator of his work for the correct price of a work. For slideshows of my work[...]

The prices in the catalogue iare INcorrect as the work should be priced from $500,000 upwards. Contact the artist or curator of his work for the correct price of a work.

For slideshows of my work see site/artgalleryulrich/

as well as AUCTIONS prices up to $10,000,000 plus.

About Edit

ateliers in several countries

Prices for the work are INcorrect, contact seller for correct price at the time.

I suddenly realized that what I always took for granted seems to be the exception rather than the rule: I do not paint for collectors, buyers, curators, gallery owners, art reviewers and critics and others in the art industry who lives OFF art. No, I paint for the handful of other serious artists, especially those who are yet to be born, and who live FOR art. In other words, I assist in the making , maintenance and development of art (or more specifically the painting discourse and intersubjectivity) history .

From ART STUFF - why art? (for artists, students, collectors/viewers -

I have long been an advocate for Art Students (and Artists for that matter) doing lots of work and focusing more on quantity than quality (to a degree and depending on what medium they are working in etc.) so they can work fast through issues and not get bogged down in the ‘is it ok’ scenario.
What do you want from art?
As a Student, or Artist, whichever position you are in, stop and have a think for a bit. What do you want from Visual Art.. and perhaps why do you want it.

Lets explore a little. Oh and feel free to give me feedback via the comments as I think this is a hot topic to think about.

Student

Learn about various materials and processes
Develop an understanding/appreciation of creative processes
Develop a body of work
Learn about the theory and history of Visual Art
Explore the cultural and or other implications of Visual Art
To explore and or respond to your subject matter
To develop concepts, issues and notions about your art in a contemporary context (self - wider community - global)
Other?
Artist

To explore and or respond to your subject matter
To develop concepts, issues and notions about your art in a contemporary context (self - wider community - global)
To perhaps make $$ from the sale of your works
To experience the responses your audience has about your works
As a device to build your status…
Other?
Note at the Artist’s level the wants can be different to the student’s but there is a solid overlap.

Would working on these points assist or hinder the people involved? or would it provide a springboard for further discussion, development etc…



Art seems to be more about a person making objects as part of an ongoing process than it is about creating things of beauty,



Don’t expect Art to soothe your soul, it may in fact disrupt your soul, interrupt your rational thinking and aggravate you...

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