Lease Paintings by Guido Lötscher

Lease artwork "No. 1450_Homage To Picasso's Arlequin As" by Guido Lötscher with an option to purchase

Paintings by Guido Lötscher are available for lease with purchase option

Painting titled "No. 1450_Homage to…" by Guido Lötscher, Original Artwork, Oil Mounted on Wood Stretcher frame
No. 1450_Homage to Picasso's Arlequin assis, 1923 (2024)
Painting by Guido Lötscher - 31.5x23.6 in
$3,062.73

Select your monthly installments:

Monthly installments
€263.44+VAT
Residual value
€85.96+VAT
Tax Savings
€976.13+VAT
Total Cost
€2,535+VAT
Monthly installments
€153.66+VAT
Residual value
€85.96+VAT
Tax Savings
€1,051.08+VAT
Total Cost
€2,723+VAT
Monthly installments
€106.48+VAT
Residual value
€85.96+VAT
Tax Savings
€1,092.41+VAT
Total Cost
€2,827+VAT
Monthly installments
€85.13+VAT
Residual value
€85.96+VAT
Tax Savings
€1,164.51+VAT
Total Cost
€3,008+VAT
* This is an indicative simulation only. A contractual proposal will be sent to you after study of your supporting documents and validation of your file by our financial partner.

Leasing information request "No. 1450_Homage To Picasso's Arlequin As"

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Frequently Asked Questions

What are the advantages of leasing works of art?

  • Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
  • Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.

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  • The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.

Can we buy the work after the leasing period?

  • Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).

How are the safety and insurance of works managed?

  • Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.

What are the conditions for terminating the leasing contract before its end?

  • Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

More info

No. 1450_Homage to Picasso's Arlequin assis, 1923 (2024)
Painting by Guido Lötscher - 31.5x23.6 in
Painting titled "No. 1450_Homage to…" by Guido Lötscher, Original Artwork, Oil Mounted on Wood Stretcher frame

About the author

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Guido Lötscher is a contemporary Swiss painter. He has gone through a variety of processes in his quest to find his unique aesthetic language. The transition from figurative[...]

Guido Lötscher is a contemporary Swiss painter. He has gone through a variety of processes in his quest to find his unique aesthetic language. The transition from figurative painting to non-objective painting and "metaphysical" color field painting was eventually made possible by influence of the American painter Mark Rothko's overwhelming body of work. The challenge was in fusing spontaneous expressiveness, meditative depth, and color and form harmony. In the end, it comes down to trying to establish a link between the sensual and the metaphysical and developing a silent, contemplative state of consciousness.

His use of the abstract-expressive squeegee technique, which has strong similarities to the "metaphysical" color field painting, has been more prevalent as his creative practice has progressed. The goal remains the same: to produce serene, meditative, and yet forceful, energetic images that inspire reflection and permit inner equilibrium. Paint that has been applied in multiple layers, scrapings and overlays with brushes, palette knives, and squeegees, as well as the inherent effect and randomness of color and form; in the process of creating his abstract works, the spontaneous perception that speaks from the heart and at the same time is highly thoughtful is what gradually breathes life into the painting. Compositions that are frequently reminiscent of spatial or landscape representations, but remain non-objective and accessible to the free interpretation of individual experience, result from the sequence of addition and subtraction using tools and color.


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