Lease artwork "Oliveraie" by Luis Margallo with an option to purchase
Drawings by Luis Margallo are available for lease with purchase option
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Frequently Asked Questions
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

About the author
Born in 1953 in a small Castilian village, Luis Margallo is the author of a protean and demanding body of work. Already as a teenager, he taught himself various painting and drawing techniques, with a marked preference for oil on canvas, influenced in particular by the Flemish and Italian masters of the 17th century.
Some of his paintings have won awards, notably from the Société des Amis des Arts de Pau, which has always appreciated and emphasized the expertise and technical skills of this jack-of-all-trades. In fact, a glance is enough to realise that Luis Margallo varies themes and inspirations to give his work the strength of a fundamentally human whole.
From smouldering old locomotives to English cemeteries, from weary pilgrims to abandoned mines, it's man's invisible hand, this mixture of dismay and hope, this need to prove that everything passes without being in vain that irrigates each of his canvases.
For almost ten years, he has been criss-crossing the roads to Compostela, trying to capture its epiphanies. It is this experience of itinerancy and travel that has inspired a series of religious buildings drawn in Indian ink.
"Man is a very small thing, he says. And passing. And dies. Even before creating language, he created the gesture that draws and remains. No doubt he was already unconsciously dreaming of becoming immortal. And, without knowing it, he succeeded. The anonymous of Lascaux and Chauvet. In a way, I'm modestly trying to perpetuate this unspoken tradition. Hence the omnipresence of carved rock and the vital importance I attach to drawing. In short, I'm content to draw and admire the stone of men."
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Nationality:
SPAIN
- Date of birth : 1953
- Artistic domains:
- Groups: Contemporary Spanish Artists