Lease artwork "Petit Cadeau Bleu" by Martine Birobent with an option to purchase
Paintings by Martine Birobent are available for lease with purchase option
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Frequently Asked Questions
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
About the author
Martine was first of all a sculptor who worked the material (…), she wanted to keep control over her body until the end. We were dealing with an artist whose life depended solely on her ability to create. From the moment she was no longer capable of it, she was no longer in life (Jean-Robert Bisaillon, quoted by Yvan Provencher, La Tribune de Sherbrooke, April 2016). Born in Mont-de-Marsan in France in 1955 and died at the age of 60 in Asbestos in Quebec, Martine Birobent had recourse to medical assistance in dying. A laughing and enthusiastic personality, able to mobilize and move easily, she managed to transcend a difficult past, which was the main driving force of her work. It was a jack-of-all-trades, going from paint to resin, from fiberglass to wood, from objects gleaned from knitting and crocheting, to assembling broken dolls, carrying a powerful narrative. She liked to "play" as musicians play, to improvise, to let her "superconscious" express herself. Every day, she invaded the corners of her studio and created new works with passion, always guided by the need to denounce censorship, the family, violence against women, men or children, stupidity and the lack of lightness. His work is meaningless, his memory is vital. In 2011, she founded La Galerie des Nanas to be able to show her work which was disturbing then, and still disturbing.
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Nationality:
CANADA
- Date of birth : 1955
- Artistic domains: Represented by a Gallery,
- Groups: Contemporary Canadian Artists Artists presented by a gallery
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