Not For Sale
Seller Jean-Marie Lamare
Purchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 484 px | ||
|
650 px |
| Dimensions of the file (px) | 484x650 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
Download immediately upon purchase
This image is available for download with a licence: you can download them at anytime.
Restrictions
All images on Artmajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
Original Artwork
Painting,
Other
- Dimensions Height 15in, Width 18.1in
- Categories Paintings under $5,000
dans le Pas- De- Calais. C'est aussi un hommage aux mineurs .
Related themes
Jean Marie LAMARE
69 - "A TEMPERA" painter
on wooden panels
Exposes France and abroad since 1979
Siret No.: 43475757100030
References:
AKOUN: 2001-2007
QUOTES DROUOT: 2002-2003-2007
Room sales of LILLE: 2001
Contact me:
E-mail: ."
BIOGRAPHY
About my painting "A TEMPERA" on wooden panels
"A tempéra" painting is that of the primitive: frescoes of lascaut-Byzantine icons - decorations of the sarcophagi in ancient times. It is composed of pigments mineral, plant or animal which the binder is an aqueous solution, so a cement. This painting is remarkable by its flexibility, its strength, its resistance to aging, I think I can say that it jaunira not, being free of oil. You should know that the yellowing of a painting also comes from the varnish which darken.
I often ensures the protection of my painting by running a varnish in the buffer as the EE century XVIII.
This technique has all the resources of oil, with more, fresh and light of a fresco. It gives me full satisfaction to share "" the memory of our childhood"."
Jean CATHELIN, critical art said: LAMARE is a painter. This is not a naive, but rather a true primitive Flemish to today. This still exists in 1981, and are those that can surprise us by creating new and quite unexpected things as did many others in the era of the VAN EYCK, with BOSCH and BRUEGHEL. You expect much of him. But already, it gives us the pleasure of a dream world, which I do not think that it is never dèpartisse.
Bernard ROQUE said: Rare master of tempera in France, LAMARE returned to the Gallery of the old mill to enchant us with his works to the amazing glaze. Indisputable heir of the great Flemish, LAMARE reminds us, however, if we have forgotten it, the beauty of a highly developed art, a solid design, miniature long chiselled, a strange brightness served by color output of the mortar of the Alchemist. In short, the magic of the tempera. Artist very coveted, LAMARE is necessary as a safe value.
-
Nationality:
FRANCE
- Date of birth : 1942
- Artistic domains:
- Groups: Contemporary French Artists
See more from Jean-Marie Lamare
