photographies jeanturco numéro 1510 (2021) Photography by Jean Turco

Still life number fifteen zero 10: "MCMXLIX, tribute to Dali, Leda and Zeus." On Saturday I received this bust of Zeus that a charming Bouzemontoise had put up for sale on an auction site where I often look for the objects that I miss so that I can create an image that an idea makes me imagine, visualize. Zeus! In addition to the fact that he could cause rain, lightning and lightning, all things that certainly help to pass the time and impress his neighbor, even the most blasé, Zeus also had a passion, less noisy and more friendly, consisting of saying to the ladies these few words that, in the 1930s, Jacques Prévert was going to write for a Gabin in love with the beautiful Michèle Morgan: "... You have beautiful eyes you know ..." and to chain as in the film by a handful of kisses and other "kindnesses" that the censorship of the time did not allow to illustrate. For Zeus was naughty, and it seems he knew how to do it with the ladies, the proof of which is that even without a dock and without a mist, the list of his conquests could validly make both Don Juan and Casanova dream. Now, and the thing is probably no harder for him than raining, lightning, and lightning, Zeus could also turn into a swan which is ingenious and practical to seduce pretty moms of children who play on the shores of the lakes, of the Bois de Vincennes or that of Boulogne for the Parisians, but also of Annecy, Grand-lieu or the Der-Chantecoq for the Hauts-Marnais And, but is it by chance, the latter lake, du Der-Chantecoq, near the commune of Saint-Remy-en-Bouzemont-Saint-Genest-et-Isson, a town remarkable for its seven dashes, whose five hundred inhabitants are Bouzemontois and Bouzemontoises, CQFE (which had to be explained ) What relationship can one ask with this date written in Roman, Zeus, Dali and Leda? Not much indeed except 1949 is the year Dali painted Gala in Leda. And that I love Dali, and that I love Gala, and that I love Leda. As for the two pears and the cardboard in a basket, the wick of wood, and the Breton lighthouse, I will not insult you to think that you have not guessed what situation, what position Kamasoutrian would say Michel Onfray, refer to these objects. Nor, moreover, to what "Gala" is this image addressed. Let me wish you a nice day. Still life number fifteen zero 10 "MCMXLIX, homage to Dalí, Leda and Zeus". I received this bust of Zeus on Saturday that a charming Bouzemontoise had put up for sale on an auction site where I often look for items that I miss in order to create an image that an idea makes me visualize. Zeus! In addition to the fact that it could cause rain, lightning and lightning, all things that certainly help to pass the time and impress others, he also had a passion, which is more sympathetic to me, consisting in telling the ladies these few words that, in the In the 1930s, Jacques Prévert wrote for a Gabin in love with the beautiful Michèle Morgan: "... T'as d'beaux yeux tu sais ..." and to chain, as in the film, with one or more handfuls of kisses. Because Zeus was a scoundrel and he knew how to deal with women, apparently, because even without a "Quai et des brumes", the list of his conquests could make both Don Juan and Casanova dream. Now, and this was probably no more difficult for him than rain, lightning, and thunder, Zeus could even turn into a swan, which is very practical for seducing the mothers of children who played on the shores of a swan lake, in the " Bois de Vincennes "or in the" Bois de Boulogne "for Parisians, but also in Annecy, Grand-Lieu or Der-Chantecoq for the inhabitants of the Haute-Marne. Remy-en-Bouzemont-Saint-Genest-et-Isson, a town with seven dashes, whose five hundred inhabitants are Bouzemontois and Bouzemontoises, CDES (which had to be explained) What is the connection with this date written in Roman style, Zeus, Dali and Leda? There is not much except that 1949 is the year in which Dalí transformed Gala into Leda! And that I like Dalí and that I like Gala. and that I like Leda. As for the two pears and the piece of cardboard in a basket, the wooden tip and the Breton lighthouse, I will not insult you thinking that you have not guessed what situation, what Kamasutrian position Michel Onfray would say, these objects refer to. Nor, after all, to which "Gala" this image is addressed.