"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
Artmajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of Artmajeur framed art prints.
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About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 921 px | ||
|
1500 px |
| Dimensions of the file (px) | 921x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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Restrictions
All images on Artmajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
This work is an "Open Edition"
Digital Arts,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Categories Abstract Fantasy
“Notre vie, A quoi la comparer ? A la goutte de rosée secouée du bec de l'oiseau aquatique, où se mire le reflet de la lune.”
Dôgen
Pour cette oeuvre numérique je suis parti d'une page blanche et l'ai réalisé à l'aide des outils proposés par le logiciel GIMP2. J'ai ensuite été inspité par une citation de Dôgen “Notre vie, A quoi la comparer ? A la goutte de rosée secouée du bec de l'oiseau aquatique, où se mire le reflet de la lune.” et j'ai travaillé dans cette optique
C'est en fait partir à l'aventure, tatonner, essayer des combinaisons de filtres, chercher en improvisant à trouver de nouvelles pistes. Cette démarche n'est pas sans rappeler le parcours d'un soliste de Jazz qui à partir d'une mélodie improvise et se glisse dans des chemins de traverse parfois surprenants.
Le clair obscur tout droit issu de Rembrandt et Le Caravage m'inspire beaucoup et est à la base de nombreuses de mes conceptions numériques.
Je travaille beaucoup avec les filtres (Couleur psychédélique, Fractalisation, Distorsions Déformation active, Mappages divers … ) Qui vont modifier l'oeuvre originale et lui donner une nouvelle apparence.
Le plus difficile dans le processus de numération est de savoir s'arrêter quand il faut !
Trop de numérique tue le numérique serai- je tenter de dire !
Related themes
Gipéhel (Jean-Paul Lecoeuvre) is self-taught.
In his youth, he approached painting through the figurative: landscapes and still lifes. After a long period of inactivity he took up his brushes again at retirement age
He discovered another universe: the abstract. The work of Hans Hartung was a shock for him. He was in tune with this pictorial universe of lyrical abstraction.
His favorite field is to paint with acrylics, sometimes with collages of paper on the canvas, to create reliefs or even the occasional use of Indian ink and sand.
Charcoal for him he likes it a lot, he practices a rapid improvisational gestural drawing which he leaves to rest to come back “cold” to it with an eraser, until he finds the result as satisfactory as possible! .
He finds his inspiration in biblical texts, music and themes that current events develop. His technique owes a lot to Jazz and improvisational music. He paints with this in mind, finding his way along side roads in search of new horizons.
He also explores virtual digital art which opens unsuspected doors, sometimes using his personal work as a basis for work. .
Happy discovery to all!
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Nationality:
FRANCE
- Date of birth : 1951
- Artistic domains:
- Groups: Contemporary French Artists
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