Painting titled "Central of Global P…" by Ingrid Stiehler, Original Artwork, Oil

Central of Global Politics (2009) Painting by Ingrid Stiehler

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Original Artwork Painting, Oil

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 47.2in, Width 47.2in
Categories Paintings under $5,000

Original Acrylic/Bronze on Canvas About this artwork: Classification, Techniques & Styles Oil Paint consisting of pigments bound with linseed oil or carnations.[...]

Ingrid Stiehler

Germany

My intensive work in art I began with landscape photography , when I studied at the academy of administration and business in NRW (Germany). Inspired by the different trends of the cultures[...]

My intensive work in art I began with landscape photography , when I studied at the academy of administration and business in NRW (Germany).

Inspired by the different trends of the cultures of Asia, Africa and North America, I combined new impressions and traditional techniques learned in many journeys. My approach is, to learn by doing; my endeavor was always to find an individual style in this way and to create aesthetic and decorative objects, linked with a positive message.

The preferential materials for my artwork are silk, gypsum, bronze, wood, acrylic and not least silver.

Group Shows:

South Nevada Art Museum (Las Vegas, USA)
Show of the 'Intern. Contemporary Master 2009'
20.Febr. 2010 - 01.April 2010

Biennale of Chianciano 2009 (Italy)
11.09. - 27.09.2009

Galerie Gora, Montreal (QB, Canada)
7th to the 25th of July 2009

Artexpo NY 2009 (USA) 26.02.- 02.03.09 im Rahmen des
New European Art-Programms von Galerie Artodrome

MiniMini Tempe, Arizona, USA
March/April 2009

„Das kleine Format“ Galerie Artodrome
15. – 30.11.2008 (Forchheim, Germany)

Marler Kunststern 2008 (Germany)
06.11. - 07.12.2008

Art Shopping CARROUSEL DU LOUVRE 2008
Camden Art Gallery, 25TH 26TH OCTOBER 2008 Paris (France)

Los Angeles Center For Digital Art (USA)
SNAP TO GRID - October 9-November 1, 2008

The Hague Red Cross Summer Exhibition
7th of June to 5th of July 2008 Den Haag (Netherlands)

CAMDEN ART GALLERY Group Show
Camden Town, London (UK)
05. - 25. 07.2008

"PLAY"
A Group Show @ BROADWAY GALLERY
May 16 - May 31, 2008, New York (USA)

International Florence Biennale of Contemporary Art
01. - 09.12.2007 Florence (Italy)

About My Art:
Simone Cappa (NY Arts Magazine November/December 2008, vol 13, No 11/12 ):

Ingrid Stiehler’s alluring paintings are notable for their bright palette, reduced imagery and flat areas of seductive color. Stiehler, who is based in Germany, is clearly attracted to attitudes and situations that provoke an extreme visceral answer, she is interested in developing and capturing the potency of the paint verses the subject—which is exactly what the paintings on display do. They hold up a mirror to both the banality of urban life and solitude of glamour, giving order to the barrage of mass media images and information that confront us daily. In Stiehler’s fairyland, enchantment and disenchantment coexist. These paintings are really vanitas, made from uninflected slicks of bright glossy paint—giving them a hermetically sealed, impenetrable perfection. While Stiehler’s paintings have always emphasized their luscious surfaces and simplified forms, Modern Times and As Long As The World Goes On display a strong melancholic beauty.
Retaining the surface quality and the flat economic language, the works on
display in Play highlight a s...