Evilbox (2020) Painting by Hervé Fayolle

Acrylic on Linen Canvas, 39.4x59.1 in
$10,280.63
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Fine art paper, 8x12 in

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Acrylic painting on canvas of expressionist tendency, varnish, unframed About this artwork: Classification, Techniques & Styles Acrylic Paint using traditional[...]
Acrylic painting on canvas of expressionist tendency, varnish, unframed

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PeintureAcryliqueArtistePlasticienGraphiste

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Hervé FAYOLLE est né le 20 octobre 1948 à Marseille, France. Il s’intéresse très tôt à la peinture et à l’art en général, études secondaires et rentre aux beaux arts de MARSEILLE-LUMINY en 1968. Premières[...]

Hervé FAYOLLE est né le 20 octobre 1948 à Marseille, France.
Il s’intéresse très tôt à la peinture et à l’art en général, études secondaires et rentre aux beaux arts de MARSEILLE-LUMINY en 1968.
Premières expositions personnelles et de groupe à partir de 1969.
Professeur de Lycée en Art appliqué à partir de 1972.
Dés 1979 il utilise la technique de l’aérographe après avoir vu le travail du peintre Suisse HR. Giger et travaille sur de très grands formats.
Les années 90 marquent un tournant dans son travail, il réalise la première série de structures verticales en bois reprenant l’idée du triptyque, comme des objets-peintures.
De 2010 à 2013 ses recherches se portent sur le format carré les formes géométriques complexes se superposent et s’interpénètrent .Une multitude de petits dessins, lignes , courbes, espaces viennent contourner et dissocier les objets au gré de la structure des formes, comme des circuits intégrés. Les couleurs le plus souvent dans des harmonies de jaune, orangé, vert donnent un effet vitrail à ces dessins.
A partir de 2013 il travaille sur de grands formats muraux acryliques très colorés de tendance expressionniste avec des couleurs vives et des espaces très perturbés. Hervé Fayolle cherche à communiquer à travers ses œuvres, un message du plus spiritualiste au plus sociétal.
Narrations ou symboliques diverses, allégoriques, métaphoriques, analytiques .Investissement d’Hervé Fayolle dans son œuvre, fantasmes de tous ordres, qu’ils soient sexuels, sociaux, religieux, ou tous autres, du moment qu’ils sont formellement maitrisés.
Importance du « trait » pour le dessin, importance des lignes qui structurent les champs colorés ou des dessins qu’ils contiennent ( Adami, Aki Kuroda.) Avec leurs forces intrinsèques symboliques et leur structuration.
Depuis 1969, il participe à de nombreuses expositions collectives et personnelles en France aux USA et à l’étranger.

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