Palmiers dans la pluie à Bat-Yam (1973) Painting by Henri Eisenberg

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Fine art paper, 8x12 in

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  • Original Artwork (One Of A Kind) Painting, Acrylic on Cardboard
  • Dimensions Height 19.7in, Width 27.6in
  • Framing This artwork is not framed
  • Categories Paintings under $5,000 Expressionism
Jour de pluie à Bat-Yam (Israel) en 1973. Par précaution contre la violence de la pluie et du vent, le haut des palmiers avait été enveloppé de toile de jute; on aurait dit des pinceaux dressés. j'étais aussi impressionné par cette atmosphère noir et blanc. Je n'ai pas pu résister à l'envie de transmettre.
Jour de pluie à Bat-Yam (Israel) en 1973. Par précaution contre la violence de la pluie et du vent, le haut des palmiers avait été enveloppé de toile de jute; on aurait dit des pinceaux dressés. j'étais aussi impressionné par cette atmosphère noir et blanc. Je n'ai pas pu résister à l'envie de transmettre.

Related themes

Bat-YamPalmiersPluieNoir Et Blanc

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Born December 23, 1942 in Heliopolis near Cairo (Egypt). Painting lessons with Angelo de Ritz. Arrived in France in 1959. Entrance examination to the Beaux-Arts in 1963. Bachelor of letters at[...]

Born December 23, 1942 in Heliopolis near Cairo (Egypt).

Painting lessons with Angelo de Ritz. Arrived in France in 1959.

Entrance examination to the Beaux-Arts in 1963. Bachelor of letters at Paris la Sorbonne. Three master classes with Salvador Dali at the Hotel Meurisse, Paris in 1967.

According to the destination of my biography I can classify myself as "autodidact"...

Stayed in Tel Aviv (Israel) from 1969 to 1974 where I taught drawing and worked as an interior designer.

Many participations in various fairs and numerous prizes.

I got my own "Opus 31" at the Marché Dauphine in St-Ouen from 1990 to 2000; I exhibited and sold my works exclusively there.

I permanently exhibit in my studio; it's my studio-housing, I receive visitors there by appointment by phone or message.

I have the pleasure of considering Artmajeur as my catalog reasoned.

The Artist was highlighted in an article in Artmajeur Magazine:

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