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Panels and Hatches (2015) Painting by German Bradley
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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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About our fine prints-
Original Artwork (One Of A Kind)
Painting,
Oil
on Canvas
- Dimensions Height 29.9in, Width 47.2in
- Framing This artwork is framed (Floating Frame)
- Categories Paintings under $5,000 Abstract
Related themes
German Bradley was born in Chile in 1970, but he was raised and educated in North West England.
His penchant for drawing and painting started at the age of 10, motivated by his grandfather's charcoal drawings and the characters and illustrations he saw in the comic books he read. Throughout his life, he has always been an avid reader and his artistic inspiration has been mainly based on literature and philosophy.
Abstraction has allowed him to express his own spiritual and metaphysical vision of life, represented by symbolic imagery, coming from a psycho-emotional point of view.
He has participated in collective exhibitions in France, Switzerland and Italy and his work has been bought and commissioned by realtors and collectors from Chile and Hong Kong.
Artist Statement
“My work is drawn on spiritual and metaphysical concepts of human existence. It’s a manifestation of alternate realities, using symbolic circles, lines, curvilinear elements and gestures along with intense colours and contrast.
I work primarily with oil on canvas, combining glazing, blending and scumbling to create a sense of complexity or simplicity. I also experiment with gesso, heavy gel, plaster, brick powder, salt and grainy materials to add some tactile textures. Increasingly, my art is moving in the direction of creating more drama. Even though, I am using a different tone, style, colour use and gestural movements, it shares the same intent: to evoke a sense of wonder and to invite the viewer to look beneath the surface of my painting and discover a different, personal perception of reality, away from the collective mental construction we have all been living in. But at the same time, I leave enough room for individual interpretation.
My creative process varies from a carefully planned form of expression where I sketch out my compositions to have a clear outline of the ideas I want to see on the canvas or a totally intuitive, spontaneous form, where I just let myself go and trust my instincts, letting the painting guide me. My favourite tools are brushes, paper towels, palette knives and my own fingers. A lifelong connection with subjects such as the planes of existence and understanding, ancient cultural knowledge and the concept of infinite life has always been the source of inspiration for my art and my personal lifestyle.”
- Nationality: CHILE
- Date of birth : 1970
- Artistic domains:
- Groups: Contemporary Chilean Artists