Machiavelli (2020) Drawing by Edwin Loftus

Pencil on Paper, 12x9 in
$940
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One of a kind
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Ready to hang
This artwork is framed
Mounted on Other rigid panel
  • Original Artwork (One Of A Kind) Drawing, Pencil / Pastel on Paper
  • Dimensions 15x12 in
    Dimensions of the work alone, without framing: Height 12in, Width 9in
  • Framing This artwork is framed (Frame + Under Glass)
  • Categories Drawings under $1,000 Classicism Politics
This symbolic representation includes a true likeness of the famous political philosopher derived, (but not copied), from contemporary portraits. Machiavelli has developed a bad reputation as an advocate of amorality. That is wrong. His whole argument is that superficial, formulaic morality is not always moral in its effects. While seemingly amoral[...]
This symbolic representation includes a true likeness of the famous political philosopher derived, (but not copied), from contemporary portraits. Machiavelli has developed a bad reputation as an advocate of amorality. That is wrong. His whole argument is that superficial, formulaic morality is not always moral in its effects. While seemingly amoral actions may be more genuinely moral in their effects. The representation before him is my attempt to portray the difficult balancing act his philosophy requires, keeping the striped marbles at the center, (order is preserved) while maintaining stability among the other marbles, key elements in the kingdom, while the whole thing is being tugged in different directions by external forces, the golden figures at the edges.
Machiavelli was a pragmatist. But moral formulas exist for reasons, as guidance to humans to avoid immoral behaviors and results. Neither Machiavelli nor anyone else is able to reliably anticipate the effects of actions in a world much more difficult to manage than the imagined game depicted here. His philosophy, like Marx' 'ends justify the means' or Positivism's 'the meaning of a thing is in its effects' become rationalizations for justifying amoral actions by imagining some more moral effect. Oh, if only things were that simple.

Related themes

MachiavelliMoralityPragmatism

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Edwin Loftus is an American painter and draftsman born in 1951. His interest in art began at the age of 4 when he decided to draw something real rather than working from his imagination.  As a child[...]

Edwin Loftus is an American painter and draftsman born in 1951. His interest in art began at the age of 4 when he decided to draw something real rather than working from his imagination. 

As a child he excelled at drawing and as a teenager he began to experiment with oil painting. In college, he took courses in art and art history and realized that true art had nothing to do with the quality of the drawing or painting, but that it had to have the ambition to push the boundaries and expand the visual experience. 

He also studied philosophy, psychology and history and quickly realized that it was just another art establishment trying to defend its elitist industry and reward system. Their skills were almost non-existent, they knew nothing about psychology, perception or stimulus response, and they were extensions of the belief system that made communism, fascism and other forms of totalitarianism such destructive forces in the world. They literally believe that art shouldn't be available to ordinary human beings, but only to an elite "sophisticated" enough to understand it. 

Edwin Loftus realized that the emperors of art had no clothes, but they were still the emperors. Gifted in art, he worked hard to acquire this skill. So he found other ways to make a living and sold a few artworks from time to time. For sixty years, many people enjoyed his works and some collected them. 

Today, Edwin Loftus is retired. Even if he sold all his paintings for the price he asked, "artist" would be the lowest paid job he ever had... but that's the way it is.  It won't matter to him after he dies. He just hopes that some people will like what he does enough to enjoy it in the future. 

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