Not For Sale
Seller Brian Lockett
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
Artmajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of Artmajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1080 px | ||
|
1363 px |
| Dimensions of the file (px) | 1080x1363 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
Download immediately upon purchase
This image is available for download with a licence: you can download them at anytime.
Restrictions
All images on Artmajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
Original Artwork (One Of A Kind)
Painting,
Acrylic
/
Conté
/
Pastel
/
Stencil
on Canvas
- Dimensions Height 19.7in, Width 23.6in
- Framing This artwork is not framed
- Categories Paintings under $5,000 Abstract
Presentation and Biography
Brian Lockett
Born in Rochdale England in 1958, I left school at the age of sixteen and headed off to Rochdale College of art and design. Although I spent two years in the sculpture department my early influences included LS Lowry of whom I felt I could relate.
I crossed the pennines in 1978 bound for Leeds Polytechnic School Of Fine Art, where under the tutelage of George Hainsworth and the influence of Henry Moore, I developed as a sculptor. Graduating with a BA hons in fine art, I became recognised as one of Britain's 1980 young contemporaries, with works on view in several of Britain's major city Art galleries.
I crossed the pond and did an MA at Concordia Montreal, after which Travel and Adventure became my life.
By the mid 1980’s I set up a studio in Newport Beach California, earning a living silk screen printing and selling pencil drawings. The drawings were accurate representational landscape renderings, some of which found their way into several celebrities private collections.
By the 1990’s I was producing prints for surfing design companies. I moved to Colorado producing and printing commercial ski related images.
It wasn't until the 2000's, I returned back to Europe, I rediscovered my passion for “real art” after visiting galleries in Rome, Paris, Venice and Girona.
I have developed my recent painting technique following the lines of abstract suggestion.
I use the figure, object or landscape to inspire rather than represent. Colour and shapes continue to dominate my recent work. I use these to create movement depth, mood and a feeling of rhythm.
My influences now include…. Picasso, Monet,Brian utenberg, George Hainsworth ( my mentor) and my “old friend” David Hockney
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Nationality:
UNITED KINGDOM
- Date of birth : unknown date
- Artistic domains:
- Groups: Contemporary British Artists
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