"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
Artmajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of Artmajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine prints-
This work is an "Open Edition"
Digital Arts,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Categories Abstract
Peinture dans Photoshop et Corail Painter
Exemplaire 1/8
Signé en bas à droite RBt
Année de création : Avril 2018
Related themes
Peinture NumeriqueDigital PaintingAbstractAbstraitPeinture 2D
From pigments to pixels.
My wanderings in the Algerian desert and in West Africa for 23 years prompted me to question.
What is magic in an image? The transcription of reality? An interpretation of reality? The testimony of an "aesthetic" moment? The excitement of this moment in the service of "graphic poetry"? But what is the magic in a sequence of images effectively organized on music?
Time is integrated into the image in the service of a "choreography" that tells!
I quickly felt trapped in this link to realism, so I decided to create my own images underpinned by my only imagination and my memories.
Back in France in 1998, I abandoned my traditional brushes and migrated to new technologies. Self-taught in this area, I only started exhibiting my digital paintings in 2003, focusing on my department of residence: Fréjus, Saint Raphael, Draguignan, Roquebrune sur Argens, Cannes, St Tropez and in a group exhibition in Osaka in 2007.
For ten years, I supervised image processing workshops in clubs where I particularly appreciated the exchange of points of view with people involved, open to the prior processing of their images.
I took the opportunity to reveal to them the fabulous creative potential, for the painter, of Photoshop. I mainly use it, but for ideological reasons, my preferences are oriented towards Open Source software like Krita, Blender, etc. more suited to my graphic and kinetic concerns.
I also work on audio-visual creations with the texts and songs of a songwriter friend who gives me his rights
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Nationality:
FRANCE
- Date of birth : 1954
- Artistic domains:
- Groups: Contemporary French Artists
See more from Renée Brachet
