Still Life (2014) Painting by Martyna Benedyka

Oil on Wood, 11.8x16.5 in
$6,262.44
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Fine art paper, 8x11 in

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This artwork appears in 2 collections
Still Life, Oil on Wooden Panel About this artwork: Classification, Techniques & Styles Oil Paint consisting of pigments bound with linseed oil or carnations.[...]
Still Life, Oil on Wooden Panel

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StilllifeOilpaintingMartynabenedyka

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Martyna Benedyka (1991) is a visual and sound artist, painter, photographer, coloratura soprano, and teacher. Working in a wide range of media including painting, photography, collage, installation, video,[...]

Martyna Benedyka (1991) is a visual and sound artist, painter, photographer, coloratura soprano, and teacher. Working in a wide range of media including painting, photography, collage, installation, video, field recording, and sound art, she focuses on various concepts of existence, memory, and beauty.

She studied Art and Design at the Gray’s School of Art in Scotland, UK and graduated with a First Class BA with Honours Degree in Fine Art Painting in 2014, as well as Voice and Performance, Opera and Oratorio, Pedagogy, and Baroque Singing at the Jāzeps Vītols Latvian Academy of Music and George Enescu National University of Arts.
She has exhibited in the UK, Italy, Germany, Austria, Ireland, Denmark, Poland, Czechia, Romania, Estonia, South Korea, Switzerland, Australia, Canada and the USA.

Her work has been chosen by the Federation of British Artists for the Futures - UK’s largest annual survey of emerging contemporary figurative art at the Mall Galleries, London, among others. She is a member of Futures Photography, Amsterdam, The Netherlands (winner 2022). She specializes in early and classical music.

ARTIST STATEMENT

I often painted fragments of things because it seemed to make my statement as well as or better than the whole could.

G. O'Keeffe


To me, the fact that no two photographic prints are ever exactly the same is a perfect analogy of how I view painting. Photography has taught me that memory is fragile and uncertain and through my painted surfaces memories are recorded and transformed. Modest in scale and subject, my paintings become fleeting moments of distorted reality.

Examining ideas of existence and being, I look for the essence of a person through the essence of an object. The camera becomes a link between an intense description of the world of things and my own response to it. My works are fragments that act like poetic signs; I would like to encourage people to slow down and to see the poetry of everyday life. Through the process of cumulative observation some of my favourite motifs are endlessly copied while others, once pushed to the edge, simply vanish. The diversity of my work unites the idea of looking behind what is seen, which is my main concern.

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