Attente (2019) Drawing by Bernard Des Roseaux

Not For Sale

Seller Bernard Des Roseaux

Fine art paper, 12x8 in

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  1014 px  

1500 px
Dimensions of the file (px) 1014x1500
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Right of reselling No
Max number of prints 0 (Zero)
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Art image bank
  • Original Artwork (One Of A Kind) Drawing, Pastel on Canvas
  • Dimensions 44.5x28.7 in
    Dimensions of the work alone, without framing: Height 43.3in, Width 28.7in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed (Frame + Under Glass)
  • Categories Drawings under $5,000 Figurative
African woman standing, 3/4 view, arms crossed, leaning on a cross tree branch, carrying a cup filled with green vegetables on her head. She turns an annoyed gaze to the viewer. Green turban, light pink top, bronze green bottom, blue belt, white scarf, passing over one shoulder. Dry pastel on fine primed black canvas.
African woman standing, 3/4 view, arms crossed, leaning on a cross tree branch, carrying a cup filled with green vegetables on her head. She turns an annoyed gaze to the viewer. Green turban, light pink top, bronze green bottom, blue belt, white scarf, passing over one shoulder. Dry pastel on fine primed black canvas.

Related themes

Pastel SecToile NoireFemmeAfriqueMarchande

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He attended the Académie Henri Goetz in Paris in the 1970s, then the Beaux-Arts de Saint Brieuc. He works in a variety of techniques: drawing, dry pastels, oil, acrylic, watercolour, inks, collage...,[...]

He attended the Académie Henri Goetz in Paris in the 1970s, then the Beaux-Arts de Saint Brieuc.

He works in a variety of techniques: drawing, dry pastels, oil, acrylic, watercolour, inks, collage..., and sometimes associates them with each other (mixed techniques).

He painted many figurative themes, sometimes close to hyper realism (in particular portraits and scenes of life in dry pastel) . He is now evolving towards a much freer painting, with very eclectic themes, sometimes reaching the limits of the abstract.

Indeed, the subjects ultimately have little importance, even if he favors in particular the portraits, life scenes, increasingly imaginary landscapes.

He often works in series, with a given medium. This allows him to give free rein to his intuition more easily, because it prevents him from working too long each time on the same painting, and bouncing from one to the other.

He tends more and more to let the painting build itself, letting the composition establish itself as the work continues.

Registered at the Maison des Artistes in Paris (D155301), he presented about fifty personal or collective exhibitions in France.

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