"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
Artmajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of Artmajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine prints-
This work is an "Open Edition"
Photography,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
I find it difficult to explain my photography in a broad sense. For the most part, it reflects the passion and love I have for life in general. My images are seldom muddy, gray or unclear. I prefer them bright, sharp, well contrasted and colorful. I guess a good single word might be “zesty.” Even the monochromes tend to be bold and vibrant; often representing the entire zone system with emphasis on the absolutes of black and white.
My art most always calls me to the outdoors. Seldom, would I be found in the studio. My camera is not nearly as important as is constantly retraining my eye to focus what lies before me. I tend to shoot tepidly and awkwardly at first, but soon become comfortable and shoot in almost reckless abandon. Sometimes I hurry to my darkroom desktop. Other times, images tend to stay lost in the camera for future rediscovery. Before final presentation, a considerable amount of time can be spent post processing.
Often, I wonder why I haven’t found a niche interest, subject or technique. I suppose my answer will always be that I always want to be able to dream and create without expectations or limitations. With this attitude, my explorations should always refresh and renew my spirit. At this stage of my life, I must yield to the probability that I will probably never be able to adequately define myself. In some ways, I think I like that. This is yet another reason I like this medium. Perhaps, it can accomplish what I can not.
No matter how many times I revisit the earth’s landscapes, they always appear new and exciting to me. I pray that never changes.
- Nationality: UNITED STATES
- Date of birth : 1952
- Artistic domains:
- Groups: Contemporary American Artists