Herbier n°3- FLUX - dessin encadré (2017) Printmaking by Baptiste Vanweydeveldt

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Sold by Baptiste Vanweydeveldt

Certificate of Authenticity included
This artwork appears in 3 collections
  • Original Artwork Printmaking, Engraving / Other / Digital Print
  • Dimensions Height 20.1in, Width 14.2in
  • Categories Printmaking under $1,000 Outsider Art
série Herbier par Baptiste Vanweydeveldt , 2017 -Flux , 23x38cm, gravure sur papier Casson, cristaux d'alun de potassium, encre bleu, graphite, feuille de contre-plaqué vernis, filet de fil de fer doré, fleur séchées, reprographie sur papier machine ragrafé et tache de café - encadrement: 36x51cm , fond noir mat et bois ayous double[...]
série Herbier par Baptiste Vanweydeveldt , 2017

-Flux , 23x38cm, gravure sur papier Casson, cristaux d'alun de potassium, encre bleu, graphite, feuille de contre-plaqué vernis, filet de fil de fer doré, fleur séchées, reprographie sur papier machine ragrafé et tache de café - encadrement: 36x51cm , fond noir mat et bois ayous double teinte.

actuellement en vente à la GalerieART4 (14111 Louvigny) tel 06 83 29 76 86

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Baptiste VanweydeveldtBaptiste.vwHerbierDessin ContemporainDessin Cristalisé

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Visual artist, born in 1978 in Lille. currently lives in Caen, France. I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards[...]

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.

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