Fleur de rouille (2011) Collages by Martine Brion

Name: ARTMAJEUR
Brand: ARTMAJEUR
Rating: 4.9 (8711 reviews)

Collages, 39x48.8 in

$1,487.6

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Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 39in, Width 48.8in
Categories Collages under $5,000

Originaire de la région de Charleroi, j’ai choisi d’intégrer dans cette œuvre textile des éléments symboliques de ma région. Volontairement, je n’ai pas choisi les plus beaux, ni les plus touristiques, ni les plus accueillants. J’ai choisi ce qui me paraissait le plus incompatible avec le travail textile, si typiquement féminin : la rouille, le fer, la poussière, les sites industriels, en activité ou désaffectés, les murs sales et couverts de graffitis. De ces endroits dépréciés, rejetés, défavorisés, tant d’un point de vue social que d’un point de vue économique, j’ai tenté d’extraire une harmonie, de couleurs et de traits, une esthétique, une beauté toute particulière. Comme si, au milieu de ces endroits hostiles, une fleur pouvait encore s’épanouir …

Primé au concours Art Balade Charleroi 2013

Assemblage de différents tissus teints à la rouille ou tissus imprimés à l'imprimante, puis travail de quilting machine, afin de consolider l'ensemble. Application d'éléments en fer rouillé.
La fleur est constituée de pétales en fer rouillé, de dentelle et de soie teintes à la rouille, de perlage et d'anciens clous rouillés.

Martine Brion

Belgium

From the cozy and austere atmosphere of a large library to
artistic creation, there were some steps ... I decided one day to
jump over.
If a creative vein was present for a long time, traditional embroidery, training in printing techniques and training in painting affirmed my creative penchant. Finally, personal research, from discovery to discovery, have sharpened this desire to create. Everything is material to create: paper, fabric, wood, earth, metal, etc. Personally, I have a predilection for the textile, but other materials involved in the adventure: the paper can be sewn or embroidered, iron or plants can dye the fiber, textiles can integrate with happiness contemporary painting. What I like above all is to experiment with new techniques, sometimes delirious, even marry them with traditional techniques, creating a visual shock, with the risk of shocking purists: burn, rip, destroy the material, then paint it or embroider it ... My creative desires vary according to my mood, my source of inspiration, an image that holds my attention, an object or other unexpected element ...

Since 2009, I am a member of "Artistes de Thudinie"
Since 2012, I am responsible of the "Centre de la Broderie du Hainaut"

The cozy and austere atmosphere of a large library at
artistic creation, there were some not ... I decided one day to
jump over.
If a creative vein was present for a long time, traditional embroidery training in printing techniques and painting affirmed my creative bent. Finally, personal research, from discovery to discovery, have sharpened this desire to create. Everything is material to create: paper, fabric, wood, earth, metal, etc. Personally, I have a predilection for the textile, but other materials involved in the adventure: the paper can be sewn or embroidered, iron or plants can dye the fiber, textiles can integrate with happiness contemporary painting. What I like above all is to experiment with new techniques, sometimes delirious, even marry them with traditional techniques, creating a visual shock to shock purists: burn, rip, destroy the material then paint or embroider ... my creative desires vary according to my mood, my source of inspiration, an image that holds my attention, object or other unexpected element ...

Since 2009, I am a member of Thudinie artists.
Since 2012, I am responsible for the Centre of Embroidery Hainaut