DESEQUILIBRE CONSTANT - Acrylique sur toile -120 x 110 cm Painting by Claude Duvauchelle

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  • Original Artwork (One Of A Kind) Painting, Acrylic on Canvas
  • Dimensions Height 47.2in, Width 43.3in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Expressionism Male Nudes
Corps d'un homme en équilibre instable semblant trébucher en un faux pas ou esquissant un pas de danse incertain. Ou bien encore effectuant une révérence ou un salut. "DÉSÉQUILIBRE CONSTANT", titre en forme d'oxymore de cette peinture, m'a été soufflé par mon ami Jean-François, grand passionné d'arts. [...]
Corps d'un homme en équilibre instable semblant trébucher en un faux pas ou esquissant un pas de danse incertain. Ou bien encore effectuant une révérence ou un salut.
"DÉSÉQUILIBRE CONSTANT", titre en forme d'oxymore de cette peinture, m'a été soufflé par mon ami Jean-François, grand passionné d'arts.

Related themes

Corps HumainNu MasculinAcrylic On CanvasNu ExpressionnistePeinture Noire

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Claude Duvauchelle is a contemporary French artist whose work has been centered on the human body for the past two decades. This constant fascination serves as a rich source of[...]

Claude Duvauchelle is a contemporary French artist whose work has been centered on the human body for the past two decades. This constant fascination serves as a rich source of inspiration, enabling him to express the deep emotions, anxieties, and hopes of modern humanity. Through his art, Duvauchelle explores the alienation and struggles brought on by the violence of modern civilization, portraying humanity as regressing to a primal state, enslaved by its most destructive instincts.

Duvauchelle’s creative process is marked by a continuous evolution of techniques and themes, which allows him to avoid repetition and keep his work fresh. His early influences include the Quattrocento painters, particularly Mantegna’s "Dead Christ," where he was drawn to the dramatic interplay of light and shadow, martyrdom, and crucifixions. Géricault’s romanticism and the tragic body also left a significant imprint on his artistic journey, adding layers of sublimation to his tragic depictions.

In his recent works, Duvauchelle translates these classical inspirations into a modern context. He aims to illustrate the downfall of today’s world, capturing the alienation and evil rooted in both societal and individual violence. His allegorical representations speak to the universal human condition, reflecting the programmed decay of contemporary civilization.


The Artist was highlighted in an article in Artmajeur Magazine:

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